Meerman and his followers vainly try to evade the force of this fatal
silence; all their learning and ingenuity are brought to bear, but
without effect; for if, as they maintain, the historians of that time
considered the attempts made at Haarlem so crude and imperfect, as
not to be worthy their notice, what is to be made of the statement of
Junius, that the invention attracted notice; that the works printed
were publicly sold, and the business increased so much, that numerous
workmen and assistants had to be engaged? The number of works said
by Koning and others to have issued from the Coster press, indicates
anything but a crude and imperfect state of the art; and if those works
had been printed by the sacristan of the great Church of Haarlem, the
Prior of the Carmelites, living in the city at the same time, must have
known of their existence. How then is his silence to be accounted for?
The only rational conclusion to which one can arrive, is, that the
tradition, which, after the growth of a hundred years was moulded into
historic narrative by Junius, had neither existence nor foundation in
the days of Prior Gerbrant. As an aid to history, in the elucidation
of facts otherwise obscure, tradition is a valuable auxiliary; but as
opposed to history and well known facts, there is no more unreliable
source of information. Every one is aware how witnesses of the same
occurrence will differ in their statements of the particulars of what
they saw; and all who have taken the pains to unravel old traditions
well know how wholly unlike their origin they ultimately and all
but invariably prove to be. There is no reason for supposing that
the traditional account of the origin of printing in Haarlem is an
exception to the rule. The age was one prone to the invention of
legends; and in the early days of printing in that city, and after
Ulric Zell had published his account at Cologne, and attributed to
Gutenberg the taking of the idea from the _Donatuses_ first printed
_in Holland_, it is by no means unlikely that an old printer, or an
old book-binder, in Haarlem, who had when a boy seen a specimen of a
_Biblia Pauperum_ or a _Donatus_, in the hands of the Sacristan of the
Church, would say, first, that he had seen the proof that printing
originated in Holland, there, in that city; then, stretching a point,
that printing originated there; others, repeating this, would assert
that the proof that such was the fact existed; that it had been seen
in the hands of the Coster; that the Coster printed it; that there was
the house he lived in; that it was a shame the Germans, who stole the
idea of the separable types from the Dutch, should get all the credit;
that they had robbed Coster of his fame; nay robbed him of his types;
that it must have been one of the Johns of Mentz who was the thief; and
so on, varying and amplifying the tale, until the time of Junius, who
finding the poem of Arnold de Bergel imparting a fresh halo of glory
Public-domain text, read in full here on John Shaqi.
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