And to argue that if such books were printed in Holland, they must therefore have been produced at Haarlem;[108] and if the work of a Hollander, why not of Coster?[109] is simply to attempt to cut through a difficulty which has defied every other effort to penetrate or solve; and moreover it leaves untouched the question, whether separable types were first made in Germany or Holland, which is the hinge whereon the whole controversy in regard to the origin of Typography turns. But Junius specifies the “Mirror of Human Salvation,” as a work, the like of which, or of which sort, was the work which had been printed by Coster:--a work with wood-cut figures and descriptive text below, and printed on one side only. There were several works of this kind known; and although some have been alluded to in the previous chapters, a more extended notice of them may here be given. Temptationes Demonis; a large block covering one side of an entire sheet of paper, and containing texts of Scripture, with figures of angels and devils. _Donatus_, de Octo Partibus Orationis. _Biblia Pauperum_, consisting of forty leaves of small folio; each leaf contains a central design of three scriptural subjects, with two half-length figures of prophets or holy men both above and below; on either side of these are explanatory descriptions, while beneath are their names, with additional inscriptions on scrolls. _Historia Sancti Johannis Evangelistæ, Ejusque Visiones Apocalypticæ_; folio designs of scenes from the Apocalypse, two subjects on each page, with labels and scrolls containing descriptive matter. _Historia seu Providentia Virginis Mariæ, ex Cantico Canticorum_, or the Book of Canticles; consisting of eight blocks, each containing four designs, with Latin inscriptions on scrolls interspersed among the figures. Historia Beatæ Mariæ Virginis ex Evangelistis et Patribus excerpta et per Figuras Demonstrata. Defensorium inviolatæ Virginitatis Mariæ Virginis. Der Entkrist, or the Book of Antichrist; consisting of thirty-nine cuts with text. Ars Memorandi; a quarto work of fourteen pages, consisting of whole page engravings of symbols of the four Evangelists, with accompanying pages of explanations. _Ars Moriendi_; a series of quarto cuts, exhibiting the deaths of good and bad men, with descriptive pages of text opposite the cuts. A quarto work of thirty-two cuts, containing subjects of Sacred writ; under each cut are fifteen verses in the German language. _Speculum Humanæ Salvationis_; fifty-eight leaves, each containing two designs, mostly from the Old or New Testament; each design has a Latin inscription of one line engraved on it. Beneath is placed the descriptive text. In the Latin edition there are five leaves of preface, and in the Dutch four. Die Kunst Cheiromantia; a work treating of palmistry. Planetenbuch; treating of the influence of planets on human life. Mirabilia Romæ; a guide to the principal shrines in Rome. Opera nova contemplativa.