The following year the first edition of the _Cornucopia_ of Perottus appeared, the first part of which has one of the larger initials on every twentieth or thirtieth page. Towards the end of the volume they become much more frequent; not only are they to be met with on every page, but on some there are half a dozen or more. Another edition of this work, which was often printed, was published by Rembolt in 1507, mostly with the same initials, but the P with the Nativity was not used in the second edition. The two armorial initials are from a French translation of the _History of Denmark_ by Saxo Grammaticus, published by Josse Bade in 1514. Besides these there are three others in the same style, a D, an I, and a P. The D is like the N in general arrangement, but without the supporters, and the legend ‘Arma regis Dacie’ is in scrolls with the letters C. P. and C. L. In the I the central shield is suppressed, and the shields are framed by banderolles with the legend: ‘Arma regis Dacie Swecie Norvegie, sclavorum gottorumque anno domini MDXIIII.’ The P is similar to the two others in being without supporters, and the legend is slightly modified: ‘Arma regis Dacie Swecie Norvegie.’ These initials were particularly admired by Dibdin, who calls attention to their beauty. Amongst the publications of Trepperel are several editions of the _Jardin de Santé_, which, in the Latin _Hortus Sanitatis_, is a thick folio dealing first with birds, beasts, and fishes, and finishing with an alphabetical account of medicinal plants, and finally stones (minerals). A treatise, _De urinis_, completes the whole. Vérard’s edition already mentioned was of the same proportions, but Trepperel published his as an octavo on plants only. The initials are not always well printed, rather the reverse. The best are given in our illustrations. A few of these letters are to be found in a small folio with woodcuts, entitled _Les œuvres de Justin, vray hystoriographe sur les faictz et gestes de Troge Pompee_, etc. etc., in much better proof. In this same book is the L with a harpy, which, together with the M, the only other letter of the kind we have seen, is to be frequently met with in the _Chroniques de France_ and in a great many other books by Philippe Lenoir, finally in a Paris _Missale Carthusiense_. The two letters with children, inspired by Venetian initials, with the linear R of the same size and the big ‘philosophus’ Q, are taken from a work on the Logic of Aristotle by Jacobus Stapulensis, published by H. Estienne in 1510. In other works the same initial occurs, but the word ‘philosophus’ is replaced by ‘Aristoteles,’ or by some other philosopher’s name. We have met with several varieties. The smaller letters are to be found also in books printed by J. Petit, H. Estienne, and Josse Bade.