Florida -- Fiction; Married women -- Fiction; Triangles (Interpersonal relations) -- Fiction
"Change it, then; at least for this evening," suggested his New World
companion.
"If they do not, as you say, stand, it appears that they walk. And
continue to walk," remarked the Cuban, after a moment, his eyes still
upon Garda and Winthrop.
"Of course they do, if they wish to," replied Manuel, who was at heart
as much surprised by Winthrop's proceeding as Torres had been; but, if
surprised, quick also to seize and appropriate to his own use any
advantages which new codes of manners might offer. "But you cannot walk
all alone--don't try that. Take something and look at it, if you won't
sit down; a book; daguerreotypes. There's a Chinese puzzle; take that."
Thus adjured, Torres stepped forward, took the puzzle from a table, and
returned with it to his place. Here he stood still again, holding his
prize solemnly.
"Play with it," said Manuel; "I never saw such a fellow! Move the rings
up and down."
"I took it because you wished me to do so," replied the Cuban, with
dignity. "But to play with it is impossible; why should I play with an
ivory toy?--I am not a child."
Here the gray head of Pompey appeared at the front drawing-room door.
The old servant waited respectfully until he had caught his mistress's
eye; he then made a low bow, with his hands folded before him--"Miss
C'roo am serbed."
Dr. Kirby offered his arm to Mrs. Rutherford, Mr. Moore offered his to
Mrs. Harold; Mrs. Carew waved Winthrop towards Mrs. Thorne, while she
herself took the arm of Manuel Ruiz. Garda was left to Torres, who, thus
unexpectedly made happy, accompanied her into the hall, still bearing
his puzzle.
"What in the world are you carrying?" she asked, laughing.
"It is a toy of ivory which Manuel insisted that I should take. With
your permission I will now lay it aside." And he deposited it carefully
upon a chair.
The little procession now came to a pause, Mrs. Carew having asked her
dearest Katrina to look at a portrait upon the wall. "It was taken the
year after my marriage," she explained, watching for the increased glow
through the dining-room door which should proclaim to her anxious eyes
the arrival of the astral lamp in its destined place.
"I do not need a portrait, Betty; I have one in my memory," replied Mrs.
Rutherford, graciously. She could not see the picture without her
glasses, but she gazed at the gilt frame with an interested air, looking
at it with her head now a little on one side, now on the other, as if to
get the right light.
"I have never considered this portrait a faithful representation of our
friend," observed Dr. Kirby. He could not see even the frame, but he
surveyed the wall with disapprobation. "It quite fails to give her
vivacity, which is so characteristic a feature. But what painter's
brush, what limner's art, can fix upon canvas that delicate, that, I may
say, intangible charm which belongs to the fairer portion of our
humanity? It is, and must always be, a hopeless task."
Public-domain text, read in full here on John Shaqi.
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