New York (N.Y.) -- Fiction; Romans à clef; Spouses -- Fiction; Women novelists -- Fiction
Addis Wickersham lingered behind the table on which he continued to mix
drinks for his wife’s woman-party. He mixed the drinks automatically,
his eyes fixed and glassy, staring at no woman in particular but
surprised by all, shuddering at no one incident but revolted by the
sum total of womankind in the raw. He murmured, as if to his secret
locked-away mind: “What a ghastly sight--a lot of women stuffing onions
down their gullets!” Onions disagreed with him. He continued, however,
in a spirit of masochism, to stare at the party, and his occasional
shudders rippled unperceived over the immaculate surface of his pose.
It was with what appeared to be amusement that he called out to his
wife: “Winfreda, my spouse, this is intolerable!”
Winnie Conant never cared whether she talked with a man or a woman,
for she wished to force either sex to spread before her excited eyes
the map of their emotions. Stating openly that only women comprehend
other women’s troubles, she also held that only men possessed the
gift of sympathy. She went through her party like a plow, forcing
issues, disorganizing what groups might have been headed in another
direction. For she considered human beings unable, from lassitude, to
help themselves. At her husband’s hail, she halted so suddenly that
her mouth remained open with the choked-off words that she had had
ready for an important woman with an heroic diaphragm--a star from the
opera and therefore new material for Winnie’s studies; she emitted an
infantile grunt.
The opera star, her own mouth distended to accommodate a slice of
Bermuda onion, spoke in her stead. “Onions,” pronounced the star, “are
good for the larynx.”
Addis Wickersham’s voice rolled through his splendid library, and
reverberated against his lofty ceiling, and fell upon the star. “Your
own larynx is a fine one, madame. I saw it distinctly.”
Eva stood tapping her foot on the floor. The sound of these light but
steady taps served to keep her shoulders from jerking; she listened,
and regulated the rhythm of her jazz-time tapping. It gave her
something to do. It was almost dreadful, to see the close attention she
gave to her rhythm. She had reached the point where she could no longer
sit and wait for the moment when the pressure of her agony would tear
her to pieces. She caught Winnie by the arm.
Winnie was immersed in a discussion with several women who, they said,
contemplated leaving their husbands. Her mouth open and ready for a
release of words, she got the chance to shout: “Why change the shape of
the man, when the new spirit is bound to be a duplicate of the old?”
As if she had been brought up short by Winnie’s general question, Eva
cried: “How can you invariably speak from your own standpoint? How can
you be so sure of what other people should do?”
Winnie went on with it as if she believed what she said. “I don’t
think, mind you, that any man is possible as a life companion; but
what’s the sense in changing?”
Public-domain text, read in full here on John Shaqi.
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