New York (N.Y.) -- Fiction; Romans à clef; Spouses -- Fiction; Women novelists -- Fiction
I went draggingly through the lobby of the hotel. The desk clerk hailed
me with the abominable optimism of those who see the old year out: “It
cleared up for the New Year, didn’t it, Mrs. Avery?” I plodded past
the desk, my storm shoes flapping and my spirits going down into the
melted snow with which by now they were filled. I took the elevator up
to the new heights of Nicholas Van Suydam’s city. The curtains were
drawn back, as only an occasional venturesome bird peeped in. The view
at night was extravagant; spangled with lights heaped in pyramidal
form, the city might have been the scene of Cinderella’s party. But,
my mind inflamed by the supposititious plight of those of us who were
encroaching strangers, I ran across the room and pulled the curtains
together. Within the short space of time since my return the weather
had again changed; a few flakes of snow, large as feathers, blew
against the panes. Weather--and women, Nicholas would perhaps say,
and be correct in saying it--changed with no apparent reason. Man was
foolish to worry over either. Let storm, meteorological or human, come
when it would, but let man keep his safe course.
I admonished myself: “James Pomeroy would say that living on the
thirtieth floor is making a queer bird out of you, Dinah Avery. Get
back to normal and hurry to the next party.”
But I was so late that when I went by for Eva they had gone without
me. The desk clerk had telephoned to several cab stands before one of
the wheeziest vehicles still in the business pulled up at the kerb,
stalled its engine, started, and ran over the kerbstone and shuddered.
Dubiously, I entrusted my life to it. The wheels spun industriously,
but the short distance to the establishment of those two babes in the
wood known as the Little Metcalfs took nearly an hour. The drifts
were high and in the side streets would remain without the guiding
shovels of the street cleaners until another day. It was a hazard, to
get across the sidewalk when eventually I arrived. Snow banks gleamed
under the light from the opening door of the house. I climbed stairs,
fought through guests massed in the narrow hall, and stamped my own
contribution of snow on the rugs in Yancey Metcalf’s gay bedroom.
Another braving of the hall, where a misstep would precipitate a broken
body down the well of the stairs, and I was in the large studio and
already distinguishing Eva’s laughter. The studio was filled with
her friends; and she hugged to her heart the desire to believe that
humanity meant what it said.
Public-domain text, read in full here on John Shaqi.
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