John L. Stoddard was the most phenomenal success as a professional lecturer, pure and simple, that I have ever known. He began in Boston with the bureau in 1878, together with what he could do for himself, as the bureau did not see enough in his lectures to make him an offer for all of his time. I heard him several times in churches in and about Boston, and declared him a success. I wanted to make him a big offer, but partnership stipulations--that our firm should not speculate--prevented that. I went nightly to hear him and see his pictures. Two young men engaged him for a lecture in Music Hall, Boston, and made a lot of money. They tried it again with the same result; then in suburban towns. Until the warm summer days and short nights set in, crowds were limited to the capacity of the auditorium. I have heard many lecturers whom I thought Stoddard’s superior from a professional point of view, but no other lectures with illustrations have ever drawn one quarter the people to hear them that his did. He has held first place as a stereopticon lecturer for twenty years and has retired with a fortune. Men and women have said to me: “What is the secret of this man’s success?” My only reply is: “The people like to hear him. I like to hear him.” [Illustration] ACTORS AND DRAMATIC CRITICS Joseph Jefferson is an actor in whom the romantic ardor of devotion to the dramatic art has never languished. Youth is gone, but not its enthusiasm, its faith, or its fire. He still embodies Rip Van Winkle with a sincerity as intense and with an artistic execution as thorough and as fresh as if the part were new, and as if he were playing it for the first time. The spontaneous drollery, the wildwood freedom, the endearing gentleness, the piquant, quizzical sapience, the unconscious humor, the pathetic blending of forlorn, wistful patience with awestricken apprehension, the dazed, submissive, drifting surrender to the current of fate, and the apparently careless, but clear-cut and beautiful method--all those attributes that bewitched the community long ago remain unchanged, and have lost no particle of their charm. [Illustration] One Sunday morning, in Plymouth Church, just as Mr. Beecher was about to begin his sermon, and there was a deathly silence all over the house, Mr. Beecher said: “Yes, I have been to the theatre. Mr. Beecher has been to the theatre. Now if you will all wait until you are past seventy years of age and will then go and see Joseph Jefferson in ‘Rip Van Winkle,’ I venture the risk that it will not affect your eligibility for heaven if you do nothing worse.” Mr. Jefferson can command $1,000 a night in the large cities, if he will only consent to lecture. He and Sir Henry Irving are overrun with invitations to appear before college audiences.