“Well,” said Mr. Beecher, “I know Mr. Gilmore, but it’s quite evident
that a man of his fair reputation and fame doesn’t know the company he
is in.”
Mr. Beecher invited Mr. Gilmore to “come over early with Pond and take
dinner, and if I get into the Academy you will.” So we were there at the
great Parnell meeting, and Mr. Gilmore heard Mr. Beecher at his best,
for that meeting is on record as an event in Mr. Beecher’s life.
I went home with Mr. Beecher, and he and I sat in his dining-room for
some time over a light supper, I listening to his conversation on the
topic of the evening just past. I left him at about eleven o’clock for
my home at the Everett House, New York. Mr. Gilmore then resided in New
York, at 61 West 12th Street. On my way home it occurred to me that
possibly Mr. Gilmore had not yet finished his bottle of champagne, and
so I rang his bell. It was just twelve o’clock. The colored boy opened
the door and I asked if Mr. Gilmore were still up. He said, “Yes.” I
walked back to the dining room, and there he stood, telling Mrs. Gilmore
about his experiences of the evening. He turned to me, saying:
“Major, I’m glad you came in. I am telling Mrs. Gilmore that this
evening has been the greatest of my life; that Mr. Beecher’s speech
to-night should be carved in letters of gold and placed in every
schoolroom throughout the entire land.”
Mr. Gilmore and I were fast friends up to the time of his death. He had
many eccentricities, some of which retarded his success. He was the man
and the only man who should have had the direction of the musical
features at the Chicago Exposition. He was ignored, and the whole affair
turned out a diabolical failure, as everybody at all versed in the
management of musical affairs knew and felt at that time. It broke Mr.
Gilmore’s heart to see so great an opportunity lost, and I believe that
was one of the causes that hastened his death.
He left one of the finest musical libraries ever collected. I do not
know who has it now. He had no successor. We have Sousa and his
incomparable band, that is up to date and in keeping with the
requirements of the time, but the two great leaders are not alike.
Gilmore, often seen plodding in the mud through the streets of Boston at
the head of a score of musicians, then conceiving and carrying to
successful termination the greatest musical jubilee ever known, and
making Puritan Boston bow the knee to him, Irishman and Catholic though
he was.
Sousa, an enlisted musician in the Marine Band at Washington, becoming
its leader, then, through Mr. Gilmore’s former manager, starred with a
band of his own, and rising year after year, through the popularity of
his own compositions and charming personnel as a conductor, to the
highest place as a musician, bandmaster, and composer--not like Gilmore,
but like what he is, and no one else can be--Sousa.
Public-domain text, read in full here on John Shaqi.
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