He once said: “I do not at any time force poetry. I must be thoroughly in the mood. These moods come imperatively, but very irregularly. My method is this: either I write first, and roughly, on scraps of paper, or my daughter takes it down from my dictation--she is the only one who can do so for me--as I walk up and down the room and smoke. I put the rough notes in my pocket until the next day. Then I read the verse over and over, correct and copy all out myself, altering it very much, and filling it up. These scraps I enter into a sort of day book or ledger until the work is nearly finished. I treat the matter thus compiled as the rough draft. I go over it myself, polish it, and transcribe it into a second book, which may be called the poem itself, but still in a rough state. Then I copy it out again, and finally, in a fair manuscript for the printer. Every line of the poem, therefore, passes through my mind three or four times. Sometimes the lines are importunate and _will_ be at once registered. Reading, smoking, driving, dressing for dinner--it does not matter how I may be then engaged, the verses will haunt and fascinate me, dance before my imagination, demanding to be fixed; and I must catch them then and there or they will go. Sometimes the right ideas will come as suddenly as if by electric message.” The popularity of Sir Edwin Arnold as a poet was more widespread in the United States than in his own country when, in 1886, I first approached him with the proposition to make a reading tour on this side of the Atlantic. It is quite singular to note how little personal and popular knowledge there is in Great Britain of the men who really mould intellectual thought. If we Americans do not personally know a man who has written books and sung poems for us, we do at least strive to know his face, by wide possession of a “counterfeit presentment.” In our land John G. Whittier’s portrait hangs on the walls of many thousands of what the English call “middle-class” homes; yet no English poet of equal rank finds such recognition in his own land. Tennyson and Browning are far more widely known among us by their pictures than they are in England. It was a constant surprise to Sir Edwin Arnold to find himself recognized and his poems so extensively known in the United States. When he left our shores for Japan, and later resumed his editorial and literary labors at home, he was not only better known and appreciated as a poet than he was when he came to us, but he was personally better known to more thousands of cultivated people here than he was to scores in England. My earliest attempt to secure him for a lecture tour in this country was unsuccessful, as the following quotation from his first letter to me shows: * * * * * “42 DENMARK VILLA, WEST BRIGHTON, “December 31, 1886.