The engagement was for fifty “readings,” a descriptive word inadequate to express what he gave. The term “lecture” certainly does not apply to the delightful entertainment that Sir Edwin Arnold presented. The descriptive talk which accompanied each reading was so fresh and varied, and so full of the charm of scene and intimate knowledge, that it had almost the air of personal and fireside talks with his varied and delighted audiences. The man was felt so in it all--as traveller, observer, teacher, and poet--that you realized the atmosphere in which he had written, as well as the spirit of the poems which were its product. As he appeared to American audiences, Sir Edwin Arnold was of large frame and good stature, with an open face, strong features, expansive brow, and a broad, full, and well-rounded head, thickly covered with iron gray hair. His complexion was fair, his eyes blue, mild, and courteous in expression. His general air was one of kindness and good breeding. He was in personal manner quite free from self-consciousness, and on the platform was always absorbed in his task and by his audience. His speaking voice was melodious, excellent in compass and timbre. It was, in fact, among the very best for use and wear that the lecture audiences had heard during twenty years. He has shown himself the respect of securing a careful training for his voice, and he knows how to take care of it. It has much of the high-bred gentleness in it that made George William Curtis so great a favorite. In personal speech his English intonation was apparent, but when he read, it seemed as though the language lifted him above all such peculiarities. The modulation was perfect, and was indeed sometimes thrilling. He is one of the few poets that can both read and declaim their own poems. I was constantly reminded of Stanley’s expression that if Arnold had not been a great writer and poet, he would most assuredly have been a great actor, for at fitting times the delivery became animated and dramatic.