The Song of Birds is popularly explained by the author of a work,
entitled, "The Music of Nature," in which he illustrates the vocal
machinery of Birds as follows:--"It is difficult to account for so small
a creature as a Bird making a tone as loud as some animal a thousand
times its size; but a recent discovery shows that in birds the lungs
have several openings communicating with corresponding air-bags or
cells, which fill the whole cavity of the body from the neck downward,
and into which the air passes and repasses in the progress of breathing.
This is not all. The very bones are hollow, from which air-pipes are
conveyed to the most solid parts of the body, even into the quills and
feathers. The air being rarefied by the heat of their body, adds to
their levity. By forcing the air out of their body, they can dart down
from the greatest heights with astonishing velocity. No doubt the same
machinery forms the basis of their vocal powers, and at once resolves
the mystery into a natural ordering of parts." This is a very pretty
story; but, unfortunately, it is not correct, as already shown.
A correspondent of the "Athenæum," writing in 1866, says:--"He would be
a bold man who should say that Birds have no delight in their own songs.
I have been led to conclude from experiments which I have made, and from
other observations, that certain animals, especially Birds, have not
only an ear for fine sounds, but also a preference for the things they
see out of respect to fine colours or other pleasing external features.
It is chiefly among Birds, when we consider the case of animals, that
a taste for ornament and for glittering objects, often very startling
and human-like, is to be found. The habits of the Pheasant, Peacock,
Turkey, Bird of Paradise, several Birds of the Pigeon and Crow kind, and
certain Singing Birds, are evidence. The Australian Satin Bower-Bird
is the most remarkable of that class which exhibit taste for beauty or
for glittering objects out of themselves--that is, beauty not directly
personal; collecting, in fact, little museums of shells, gaudy feathers,
shining glass, or bits of coloured cloth or pottery. It will be found
with many Birds that fine plumes, a mirror, and an admirer, are not
altogether objects devoid of interest.
Public-domain text, read in full here on John Shaqi.
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