Ecclesiastical Vestments: Their development and historyMacalister, Robert Alexander Stewart
History
Ecclesiastical Vestments: Their development and history
Macalister, Robert Alexander Stewart
Church vestments
This tendency to elaboration and to revival of mediaeval practices is
not, however, altogether of modern growth. In Wells Cathedral is the
effigy of Bishop Creighton, who died in 1672, clad in cassock, amice,
alb, and cope, the latter with a jewelled border. On his head is a cap
with side-flaps, over which is a _mitra pretiosa_. More singular still,
considering that the person commemorated was an ardent reformer, is the
brass of Bishop Goodrick at Ely Cathedral, who died in 1554. He is
represented in full Eucharistic vestments of the pre-Reformation period.
Both these apparent anomalies are probably to be accounted for by the
Romanizing tendency of the reigning monarchs under whom both these
persons lived.
The vestments of the clergy did not escape the lash of the satirists of
Queen Elizabeth's reign. About 1565, for instance, a tract was published
entitled 'A pleasant Dialogue between a Soldier of Berwick and an
English chaplain: wherein are largely handled and laid open such reasons
as are brought for maintenance of Popish Traditions in our English
Church.' The soldier speaks thus to Bernard, the priest: 'But, Bernard,
I pray thee, tell me of thine honesty what was the cause that thou hast
been in so many changes of apparel this forenoon, now black, now white,
now in silk and gold, and now at length in this swouping black gown, and
this sarcenet flaunting tippet.' This describes Bernard as first in his
ordinary cassock or clerical dress; then in his surplice for morning
prayer; then in the cope for communion; and, lastly, in the preaching
gown and tippet. The passage is interesting, as it brings the practice
of wearing a black gown at the sermon, once universal in the English
Church, but now fast dying out, back almost to the reformation.
One more English church vestment remains to be noticed—the scarf. This
is a broad black band of silk, which is worn like a stole, passed round
the back of the neck and allowed to depend on either side. It is worn by
doctors of divinity and by the clerical authorities of collegiate and
cathedral bodies. Its origin is _possibly_ to be found in the stole, but
it is more probably a modification of an article of University costume.
Public-domain text, read in full here on John Shaqi.
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