Ecclesiastical Vestments: Their development and historyMacalister, Robert Alexander Stewart
History
Ecclesiastical Vestments: Their development and history
Macalister, Robert Alexander Stewart
Church vestments
ft. in.
Depth of shoulder, measuring from neck 2 9
Length of side, from shoulder to point 4 11
Depth from neck to point in front 4 6
" " " behind 4 10
The chasuble of St Thomas of Canterbury, at Sens Cathedral, which is of
the old extinguisher shape, is three feet ten inches in depth. In the
oldest chasubles the length of the vestment behind was greater—often
much greater—than in front. There is a more even balance between back
and front in later mediaeval times.
Passing now from the manner of making the chasuble to the manner of
ornamenting it, we find just the same divergence, with apparently just
as little rule. It is probable that, as the decoration was the most
costly part of the manufacture of a chasuble, the amount of it was
regulated by the resources available to pay for it.
We propose to consider at the end of the next chapter the classes of
patterns with which vestments generally were decorated in the middle
ages; at present, therefore, we shall confine ourselves to noticing
briefly the positions in which these decorations were placed on the
chasuble.
The groundwork of the vestment was either plain (invariably so in the
older examples) or else embroidered or woven with a pattern, according
to taste and means; the ornamentation proper consisted of strips of
embroidered or 'orphrey' work, as it is technically called, sewn on to
the vestment. These strips were sewn either on the edge or crosswise on
the front and back of the chasuble.
The edge orphrey is the more frequently met with in the brasses of
parish priests, and it is rarely so elaborately decorated as are the
central orphreys. It usually consisted of some simple pattern of flowers
or geometrical figures recurring at regular intervals round the edge.
Public-domain text, read in full here on John Shaqi.
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