Ecclesiastical Vestments: Their development and historyMacalister, Robert Alexander Stewart
History
Ecclesiastical Vestments: Their development and history
Macalister, Robert Alexander Stewart
Church vestments
Greater variety is seen in the shape of the central orphrey, which,
being the more elaborate and expensive, is almost invariably found
represented in the monuments of bishops, abbots, and other dignitaries,
and in the effigies of priests of the richer churches. It sometimes,
though rarely, consisted of a simple 'pillar' on the front and on the
back of the vestment; usually this ornamentation was extended by the
addition of branches of orphrey work given off on either side, which
passed over the shoulder and joined the corresponding branches of the
other pillar, the result being that the orphrey on front and back had
the appearance of the Greek Ψ, or of a Latin cross with oblique arms.
When the bands were so disposed, the pillar on the front was called the
_pectoral_, the pillar on the back the _dorsal_, and the auxiliary
bands, which passed over the shoulders, the _humeral_ orphreys. Very
frequently this design was varied by omitting the part of the pectoral
and dorsal bands above their intersection with the humeral; this
resulted in the 'Y cross,' which we find in so many effigies in our
cathedrals and churches. In a few examples the Y or Ψ is inverted, and
in some it gives off auxiliary branches, so as to resemble (_e.g._) the
figure ✶. It would, however, be waste of time and space to enter further
into a discussion of what was not regulated by any definite rule, but
depended on caprice, or, at most, on pecuniary considerations. More
often than not the central orphrey, of whatever form, is combined with
the edge orphrey, and is usually of a different pattern from it.
In many early chasubles the front and back are charged with an
embroidered Latin cross. This is also the case with the back of the
modern Roman or slit vestment.
When the Y orphrey was placed on the chasuble, the space between it and
the neck on the back was usually filled with an elaborate floral design
embroidered in gold or crimson. Sometimes (not always) this extended
round the neck, and was repeated in front. To this ornament the special
name of 'flower' has been attached.
Public-domain text, read in full here on John Shaqi.
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