Ecclesiastical Vestments: Their development and historyMacalister, Robert Alexander Stewart
History
Ecclesiastical Vestments: Their development and history
Macalister, Robert Alexander Stewart
Church vestments
In the Irish form of crozier the front is flat, and shaped like an oval
shield. This is often moveable, disclosing a hollow behind it, which was
almost certainly used as a reliquary.[73]
The materials of which the pastoral staff was made were very diverse.
The stick was of wood, usually some precious wood, such as cedar,
cypress, or ebony. This wood was often gilt or overlaid with silver
plates. In the twelfth century the staff was shod with iron and
surmounted with a knob of crystal, above which the crook proper was
attached. The crook-head of the Irish crozier was of bronze; that of the
other form generally of carved ivory. When the process of elaboration
was felt in this as in all the other sacerdotal ornaments, the stick as
well as the head was often carved from ivory, and either gilt or
silvered heavily, and set with precious stones. Beneath the crook were
often niches or shrines, containing figures of saints.
The bronze Irish crozier was decorated with the marvellous interlacing
knots and bands which are the special glory of early Irish Christian
art. On the flat front is often to be seen a plain cross, at the centre
of which is a setting for a precious stone, and in each quarter an
interlacing band. In the volute form of crozier a different style of
ornamentation was adopted; the surface was not ornamented, but the head
was carved into solid forms; in the centre of the volute was usually
represented some sacred person or scene, real or legendary, or else some
symbolical device or conventional patterns. It is hard to say which of
these two forms of crozier is the better from an aesthetic point of
view. The graceful curve of the volute certainly compares favourably
with the somewhat stiff outline of the Irish crozier; but the feebleness
of even the best mediaeval attempts at representing the human figure in
miniature considerably detracts from the artistic value of the volute
crozier when a human figure is introduced; while, on the other hand, the
incomparable excellence of the Irish metal-workers transformed the
U-shaped crozier into an object of great beauty. The lines of the knots
are always faultlessly executed, and the ornamentation is invariably in
good taste.[74]
The following copy of the Lincoln Inventory of pastoral staves (1536)
illustrates some of the points already noticed. It also indicates that
the head and staff of the crozier were separable, and, when stored in
the vestry, kept apart from one another:
'In primis a hede of one busshopes staffe of sylver and gylte wᵗ one
knop and perles & other stones havyng a Image of owʳ savyowʳ of the one
syde and a Image of sent John Baptiste of the other syde wanting xxj
stones & perles wᵗ one bose [boss] and one sokett weyng xviij unces.
'Item one other hede of a staffe copoʳ & gylte.
'Item a staffe ordend for one of the seyd hedes the wyche ys ornate wᵗ
stones sylver and gylte and iij circles, a boute the staffe sylver and
gylte wantyng vij stones.
Public-domain text, read in full here on John Shaqi.
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