On p. 29 we referred to a MS. of uncertain date in the monastery of St Martin at Autun, which details the vestments worn in the Gallican church in (probably) the tenth century. This gives a somewhat different catalogue from the lists of the rest of the Western Church, and displays some Eastern influence. The _pallium_, _casula_, _alba_, and _stola_ are described so that they appear identical with the corresponding vestments elsewhere; the maniple also appears, under the name _vestimentum parvolum_; and we have in addition the _manualia_ or _manicae_, which do not appear in any other Western lists; they are said in the MS. to have been regularly worn 'like bracelets,' and to have covered the arms of 'kings and priests.' This points to vestments after the style of the =epimanikia= of the Greeks, which will be noticed in their proper place in Chapter V. We have now described the vestments worn by the priests of the Western Church at the Eucharistic service, and are thus in a position to give a satisfactory answer to the question, 'Were they adaptations of the Jewish, or natural evolutions of the Roman costume?' We have seen that the jeweller, the goldsmith, and the embroiderer conspired to make the vestments of the middle ages as gorgeous as possible, and that therein, and in some few other particulars, they resembled the Mosaic costume; but as we go back nearer and nearer to the first ages of Christianity all the glitter drops off, vestment after vestment disappears, till we reach the three plain white vestments of the fourth century, from which it is but a step to the ordinary costume of a Roman citizen of good position during the second or third century of our era. We have also seen that all attempts at drawing hidden meanings from the vestments fail; the results, when not far-fetched, are contradictory and unconvincing. [49] Vest. Christ., p. lxxviii. [50] Vestes etiam sacerdotales per incrementa ad eum qui nunc habetur auctae sunt ornatum. Nam primis temporibus communi indumento vestiti missas agebant, sicut et hactenus quidam Orientalium facere perhibentur.—Walafrid Strabo De Reb. Eccl., cap. xxiv (Migne cxiv 952). [51] Very often—perhaps more often than not—the lower hem was ornamented with a narrow edging of embroidery running all round. In some albs as represented on Continental monuments there is a considerable distance between the apparel and the hem. [52] The late brass of Bishop Goodrich, in Ely Cathedral, represents the stole between the tunicle and dalmatic. This is exceptional, and probably an engraver's error. [53] One of these exceptions is presented by a small brass of a priest (Thomas Westeley, 1535) at Wyvenhoe, near Colchester.