Eclectic Magazine of Foreign Literature, Science, and Art, April 1885Various
General
Eclectic Magazine of Foreign Literature, Science, and Art, April 1885
Various
American literature -- Periodicals; Literature -- Periodicals
Much biography, perhaps we might say most, is hardly above the level
of that “personal talk,” to which Wordsworth sagely preferred long
barren silence, the flapping of the flame of his cottage fire, and
the undersong of the kettle on the hob. It would not, then, have
much surprised us if George Eliot had insisted that her works should
remain the only commemoration of her life. There be some who think
that those who have enriched the world with great thoughts and fine
creations, might best be content to rest unmarked “where heaves the
turf in many a mouldering heap,” leaving as little work to the literary
executor, except of the purely crematory sort, as did Aristotle, Plato,
Shakespeare, and some others whose names the world will not willingly
let die. But this is a stoic’s doctrine; the objector may easily retort
that if it had been sternly acted on, we should have known very little
about Dr. Johnson, and nothing about Socrates.
This is but an ungracious prelude to some remarks upon a book, which
must be pronounced a striking success. There will be very little
dispute as to the fact that the editor of these memorials of George
Eliot has done his work with excellent taste, judgment, and sense.
He found no autobiography nor fragment of one, but he has skilfully
shaped a kind of autobiography by a plan which, so far as we know, he
is justified in calling new, and which leaves her life to write itself
in extracts from her letters and journals. With the least possible
obtrusion from the biographer, the original pieces are formed into a
connected whole “that combines a narrative of day to day life with the
play of light and shade which only letters written in serious moods can
give.” The idea is a good one, and Mr. Cross deserves great credit for
it. We may hope that its success will encourage imitators. Certainly
there are drawbacks. We miss the animation of mixed narrative. There
is, too, a touch of monotony in listening for so long to the voice of
a single speaker addressing others who are silent behind a screen. But
Mr. Cross could not we think, have devised a better way of dealing with
his material: it is simple, modest, and effective.
Public-domain text, read in full here on John Shaqi.
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