Eclectic Magazine of Foreign Literature, Science, and Art, April 1885Various
General
Eclectic Magazine of Foreign Literature, Science, and Art, April 1885
Various
American literature -- Periodicals; Literature -- Periodicals
George Eliot’s means of access to books were very full. She knew
French, German, Italian, and Spanish accurately. Greek and Latin, Mr.
Cross tells us, she could read with thorough delight to herself; though
after the appalling specimen of Mill’s juvenile Latinity that Mr. Bain
has disinterred, the fastidious collegian may be sceptical of the
scholarship of prodigies. Hebrew was her favorite study to the end of
her days. People commonly supposed that she had been inoculated with
an artificial taste for science by her companion. We now learn that
she took a decided interest in natural science long before she made
Mr. Lewes’s acquaintance, and many of the roundabout pedantries that
displeased people in her latest writings, and were set down to his
account, appeared in her composition before she had ever exchanged a
word with him.
All who knew her well enough were aware that she had what Mr. Cross
describes as “limitless persistency in application.” This is an
old account of genius, but nobody illustrates more effectively the
infinite capacity of taking pains. In reading, in looking at pictures,
in playing difficult music, in talking, she was equally importunate
in the search, and equally insistent on mastery. Her faculty of
sustained concentration was part of her immense intellectual power.
“Continuous thought did not fatigue her. She could keep her mind on
the stretch hour after hour; the body might give way, but the brain
remained unwearied” (iii. 422). It is only a trifling illustration of
the infection of her indefatigable quality of taking pains, that Lewes
should have formed the important habit of re-writing every page of his
work, even of short articles for Reviews, before letting it go to the
press. The journal shows what sore pain and travail composition was to
her. She wrote the last volume of _Adam Bede_ in six weeks; she “could
not help writing it fast, because it was written under the stress of
emotion.” But what a prodigious contrast between her pace, and Walter
Scott’s twelve volumes a year! Like many other people of powerful
brains, she united strong and clear general retentiveness, with a weak
and untrustworthy verbal memory. “She never could trust herself to
write a quotation without verifying it.” “What courage and patience,”
she says of some one else, “are wanted for every life that aims to
produce anything,” and her own existence was one long and painful
sermon on that text.
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