Eclectic Magazine of Foreign Literature, Science, and Art, January 1885Various
General
Eclectic Magazine of Foreign Literature, Science, and Art, January 1885
Various
American literature -- Periodicals; Literature -- Periodicals
Now, this idea about the arrows is itself very significant of the
mental attitude of primitive man, and of the way that mental attitude
has colored all subsequent thinking and superstition upon this very
subject. Curiously enough, to the present day the conception of the
thunderbolt is essentially one of a _bolt_—that is to say, an arrow,
or at least an arrowhead. All existing thunderbolts (and there are
plenty of them lying about casually in country houses and local
museums) are more or less arrow-like in shape and appearance; some of
them, indeed, as we shall see by-and-by, are the actual stone arrow
heads of primitive man himself in person. Of course the noble savage
was himself in the constant habit of shooting at animals and enemies
with a bow and arrow. When, then, he tried to figure to himself the
angry god, seated in the stormclouds, who spoke with such a loud
rumbling voice, and killed those who displeased him, with his fiery
darts, he naturally thought of him as using in his cloudy home the
familiar bow and arrow of this nether planet. To us nowadays, if we
were to begin forming the idea for ourselves all over again _de novo_,
it would be far more natural to think of the thunder as the noise of
a big gun, of the lightning as the flash of the powder, and of the
supposed “bolt” as a shell or bullet. There is really a ridiculous
resemblance between a thunderstorm and a discharge of artillery. But
the old conception derived from so many generations of primitive men
has held its own against such mere modern devices as gunpowder and
rifle balls; and none of the objects commonly shown as thunderbolts
are ever round: they are distinguished, whatever their origin, by the
common peculiarity that they more or less closely resemble a dart or
arrowhead.
Public-domain text, read in full here on John Shaqi.
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