Eclectic Magazine of Foreign Literature, Science, and Art, January 1885Various
General
Eclectic Magazine of Foreign Literature, Science, and Art, January 1885
Various
American literature -- Periodicals; Literature -- Periodicals
I crucified two thousand of the principal inhabitants. I
am the shining one, the great and the good.” From the monarchical
East, we turn with more curiosity to Greece and Rome. There, at least,
there was a life of public opinion. Apart from institutions, which are
crystallised opinion, were there any living, non-official voices in
which this public opinion could be heard?
The Homeric poems are not only the oldest monuments of Greek
literature, but also the earliest documents of the Greek race. Out of
the twilight of the prehistoric past, a new people, a new type of mind,
are suddenly disclosed in a medium of pellucid clearness. Like Athene
springing adult and full-armed from the head of Zeus, this new race,
when Homer reveals it, has already attained to a mature consciousness
of itself, and is already equipped with the aptitudes which are to
distinguish it throughout its later history. The genius of the Homeric
Greek has essentially the same traits which recur in the ripest age of
the Greek republics,—even as Achilles and Ulysses are personal ideals
which never lost their hold on the nation. This very fact points the
contrast between two aspects of Homeric life—the political, and the
social. In Homeric politics, public opinion has no proper place. The
king, with his council of nobles and elders, can alone originate or
discuss measures. The popular assembly has no active existence. But the
framework of Homeric monarchy contains a social life in which public
opinion is constantly alert. Its activity, indeed, could scarcely be
greater under the freest form of government. And we see that this
activity has its spring in distinctive and permanent attributes of the
Hellenic race. It arises from quickness of perception and readiness of
speech. The Homeric Greek feels keenly, observes shrewdly, and hastens
to communicate his thoughts. An undertone of popular comment pervades
the Homeric poems, and is rendered more impressive by the dramatic form
in which it is usually couched. The average man, who represents public
feeling, is expressed by the Greek indefinite pronoun, τις. “Thus would
a man speak, with a glance at his neighbor,” is the regular Homeric
formula. We hear opinion in the making. This spokesman of popular
sentiment is constantly introduced at critical moments: for the sake
of brevity we may call him by his Greek name _Tis_. When the fight is
raging over the corpse of Patroclus, _Tis_ remarks to his friends that
they will be disgraced for ever if they allow the Trojans to carry
off the body;—better die on the spot. Hector, in proposing a truce
to Ajax, suggests that they should exchange gifts, and imagines what
_Tis_ will say: _Tis_ will approve of it as a graceful courtesy between
chivalrous opponents. Menelaus considers that another hero, Antilochus,
has beaten him in a chariot race by unfair means; but thinks it
necessary to take precautions against _Tis_ imagining that he has
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