Eclectic Magazine of Foreign Literature, Science, and Art, January 1885Various
General
Eclectic Magazine of Foreign Literature, Science, and Art, January 1885
Various
American literature -- Periodicals; Literature -- Periodicals
It was not at a “business” gathering, but one of mere pleasure, in a
family. With the “legal” and the “illegal” there must have been about
fifteen persons. Among those present were some literary men. One of
them was a singular example of an “illegal” man, much sought for at
one time, who, living for six or seven years with false passports,
almost succeeded in legalising himself, as a valuable and well-known
contributor to various newspapers. There was a barrister who, after
having defended others in several political trials, at last found
himself in the prisoner’s dock. There was a young man of eighteen in
gold lace and military epaulettes, who was the son of one of the most
furious persecutors of the Revolutionary party. There was an official
of about fifty, the head of a department in one of the ministries, who,
for five years running, was our Keeper of the Seals—who kept, that is
to say, a large chest full to the brim of seals, false marks, stamps,
etc., manufactured by his niece, a charming young lady, very clever in
draughtsmanship and engraving. It was a very mixed company, and strange
for any one not accustomed to the singular habits of the Palmyra of the
North.
With the freedom characteristic of all Russian gatherings, especially
those of the Nihilists, every one did as he liked and talked with
those who pleased him. The company was split up into various groups,
and the murmur of voice filled the room and frequently rose above the
exclamations and laughter.
Having saluted the hosts and shaken hands with some friends, I joined
one of these little groups.
I had no difficulty in recognising Olga Liubatovitch, for the portraits
of the principal prisoners in the trial of the “fifty,” of whom she was
one of the most distinguished figures, circulated by thousands, and
were in every hand.
Public-domain text, read in full here on John Shaqi.
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