Eclectic Magazine of Foreign Literature, Science, and Art, June 1885Various
History
Eclectic Magazine of Foreign Literature, Science, and Art, June 1885
Various
American literature -- Periodicals; Literature -- Periodicals
I took compassion upon him and let him off easily. “You’ve had enough
of the museum,” I said with magnanimous self-denial. “The Atlantosaurus
has broken the camel’s back. Let’s go and have a quiet cigarette in the
park outside.”
But if you suppose, reader, that I am going to carry my forbearance
so far as to let you, too, off the remainder of that geological
disquisition, you are certainly very much mistaken. A discourse which
would be quite unpardonable in social intercourse may be freely
admitted in the privacy of print; because, you see, while you can’t
easily tell a man that his conversation bores you (though some people
just avoid doing so by an infinitesimal fraction), you can shut up a
book whenever you like, without the very faintest or remotest risk of
hurting the authors delicate susceptibilities.
The subject of my discourse naturally divides itself, like the
conventional sermon, into two heads—the precise date of “geological
times,” and the exact bigness of the animals that lived in them. And
I may as well begin by announcing my general conclusion at the very
outset; first, that “those days” never existed at all; and secondly,
that the animals which now inhabit this particular planet are, on the
whole, about as big, taken in the lump, as any previous contemporary
fauna that ever lived at any one time together upon its changeful
surface. I know that to announce this sad conclusion is to break
down one more universal and cherished belief: everybody considers
that “geological animals” were ever so much bigger than their modern
representatives; but the interests of truth should always be paramount,
and if the trade of an iconoclast is a somewhat cruel one, it is at
least a necessary function in a world so ludicrously overstocked with
popular delusions as this erring planet.
Public-domain text, read in full here on John Shaqi.
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