Eclectic Magazine of Foreign Literature, Science, and Art, March 1885Various
History
Eclectic Magazine of Foreign Literature, Science, and Art, March 1885
Various
American literature -- Periodicals; Literature -- Periodicals
And why, from the nature of the case, cannot the stage ever rank
with the recognised professions? Because, as a means of earning a
livelihood, that is as a mere employment, the stage is open to all
the world. Unlike painting, literature, and music, it requires no
special knowledge of any sort; it can be practised as well by the
unlearned as, though not with the same facility, by the learned. It is
a self-educating profession. Physical gifts, up to a certain point,
will make up for deficiency in talent: but given talent, and with
perseverance and application even for the most illiterate, success
is certain. Given genius, then “reading and writing” seem to “come
by nature,” and though there may always be a little difficulty with
the spelling, yet triumph is sure and swift. The stage requires no
matriculation; but for an actor of talent, who loves his art, there is
no limit to his studies,—one helps another, one leads to another. As
far as society is concerned, there should be no one more thoroughly
qualified to play a leading part in the very highest, the most
intellectual, and most cultivated society, than the actor or actress,
who is rising in or who has reached the summit of “the profession.”
Scarcely a subject can be named that is not, in its degree, almost
essential—a strong word, but on consideration used correctly—to
the perfection of the actor's art. A first-rate actor should be an
admirable Crichton. The best preparation for the stage is, as I have
elsewhere insisted, a thorough education. True, that it is so for
every calling, but especially for the stage. To belong to the bar of
England is an honor in itself, even though the barrister never gets a
brief and could do nothing with it if he did. To belong to the stage of
England is _not_ an honor in itself. To the genius, the talents, and
the private worth of our eminent actors in the past and in the present,
our stage owes its lustre. They owed nothing to the stage, the stage
everything to them.
The desire to raise the social status of the actor so that the term
actor shall be “synonymous with gentleman,” is worthy of all praise. To
make it possible for young ladies of education to take to acting as a
means of earning a livelihood, would be a great social benefit.
Public-domain text, read in full here on John Shaqi.
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