Eclectic Magazine of Foreign Literature, Science, and Art, March 1885Various
History
Eclectic Magazine of Foreign Literature, Science, and Art, March 1885
Various
American literature -- Periodicals; Literature -- Periodicals
E'en so when Parsons pours his lay,
Correctly wild, or sweetly strong,
Or Greathead charms the listening day,
With English or Italian song,
Or when, with trembling wing I try,
Like some poor wounded bird, to fly,
Your fostering smiles you ne'er refuse,
But are the Pallas and the Muse!
The Parsons and Greathead of this all-round panegyric of Merry's were
two members of the “Oziosi” clique: Parsons, a bachelor with a tendency
to flirt, to “trifle with Italian dames,” as Mrs. Piozzi poetically
put it; Greathead, the newly-married husband of a beautiful wife. Both
Parsons and Greathead were voluminous contributors to the society's
Album, which soon assumed formidable dimensions. The staple of the
contents consisted of high-flown compliments in verse. Parsons, for
instance, would write to Greathead's wife:—
O blest with taste, with Genius blest,
Sole mistress of thy Bertie's breast,
Who to his love-enraptured arms are given
The rich reward his virtues claim from Heaven.
And Bertie, as in duty bound, would reply in kind, bidding the sallow
Arno pause and listen to the lays of Parsons. As an alternative to
these panegyrics, they wrote _Dithyrambics to Bacchus_, _Odes to the
Siroc_, or lines on that latest novelty, Montgolfier's air-balloon.
Mrs. Greathead was, in fact, as Parsons informs us, the only member of
the society who contributed nothing but the inspiration of her charms.
Some of these poems were printed in an _Arno Miscellany_, of which
only a few copies were privately circulated. It was a subsequent
and larger collection, published in 1785, under the name of _The
Florence Miscellany_, which first made its way to England, and drew the
attention of the English public to the rising school of versifiers.
Horace Walpole characterized their productions as “mere imitations of
our best poets,” that is to say, of Milton, Gray, and Collins. How
justly, may be inferred from the opening stanza of Merry's _Ode on a
distant prospect of Rome_:—
When Rome of old, terrific queen,
High-placed on Victory's sounding car,
With arm sublime and martial mien,
Brandished the flaming lance of war,
Low crouched in dust lay Afric's swarthy crowd,
And silken Asia sank, and barbarous Britain bowed.
Public-domain text, read in full here on John Shaqi.
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