Our next glimpse of him is in the kingdom of the _trouvères_ and _troubadours_, with whom he is a great favorite. The famous Mademoiselle Marie, in her translation, the “Lai Dee Chevrefoil,” written about the middle of the twelfth century, sings of a pretty episode in his love, which none of her successors have improved upon, and which most of them have omitted. There are allusions to him in Chrestien de Troyes, who wrote before the year 1191, and in the works of a poetical king of Navarre, about 1226. The date of the Auchinleck MS., “Sir Tristram,” which Scott raised such a tempest by ascribing to Thomas the Rhymer of Ercildoune, is said to be 1330. It is written in a curious and very effective metre; the short abrupt line of two syllables falling regularly near the end of each stanza reins in the full swing of the rest with great force and directness. The poem is full of life and vigor, and there are touches of naïf insight here and there in strange contrast with the rough, matter-of-fact tone of the whole. Many and quaint are the adventures of the hero, especially when he kills a dragon in Ireland for the sake of Iseult, that “brid bright, as blood upon snoweing,” and her mother cures him of the pain caused by its poisonous tongue, with treacle; or when, having overcome a terrible “geaunt” in Brittany, he requires him to adorn the walls of his castle with “images” of Iseult and Bragwaine, the beauty of which so astounds his young brother-in-law, evidently a novice in works of art, that he straightway falls backward and breaks his head! This poem, or another much like it, was celebrated both at home and abroad, where “Thomas of Britain” was henceforth quoted as the great authority on the subject. About the same time lived Raoul de Beauvais, who also made it his study; Rusticien de Puise, whose work is in prose; and the authors of two metrical fragments in French, from one of which Scott completed the Auchinleck MS., though its end had not been unearthed when he became its editor. The translation, which carried the name of Tristram northward as far as Iceland, is still kept in the library at Copenhagen; and G. de le Flamma tells us that when the tomb of a Lombard king was opened in 1339, there was found inscribed on his sword, “This was the sword of Sir Tristram, who killed Amoroyt of Ireland.” Seghart von Bamberg wrote of him in 1403, and also Eylhard von Habergen. Of the same period is the Romance by Gotfried of Strasburg, who died in the midst of his work, leaving it to be finished in a less poetical spirit by Ulrich von Turheim and Heinrich von Vribert.