Eclectic Magazine of Foreign Literature, Science, and Art, May 1885Various
History
Eclectic Magazine of Foreign Literature, Science, and Art, May 1885
Various
American literature -- Periodicals; Literature -- Periodicals
The hero of “the last tournament” is a very different being. Of all
those who have told the story, Tennyson alone seems to have looked
upon Tristram as thoroughly base and unworthy. Such a knight as this,
so rough, licentious, and wanting in courtesy, could never have been
Launcelot’s second; and indeed Tennyson lays no stress whatever on the
strong friendship which existed between them—so strong that neither
would ever wittingly harm any relation or friend of the other. As
Wagner has made the legend a symbol of that strife between man, his
passions, and his circumstances, which is the complex motive of our
latest tragedy,—as Matthew Arnold has drawn from it the lesson, that
quiet and neglected lives often do more to make the world lovely than
great and brilliant ones (a lesson which chivalry would never have
found there),—so Tennyson has made it a symbol of that degradation of
the whole nature, which follows the conscious surrender of the spirit
to the flesh, and has drawn from it the lesson that the very happiness
of partners in guilt is tainted with bitterness and turns to ashes
in their mouths. Nowhere else is there such a sharp contrast implied
between Launcelot, the sinner who repented and was given time for
repentance, and Tristram, the sinner who repented not and was cut off
in the midst of his sin. There is a great gulf between them, across
which they do not even join their hands.
Iseult stands in much the same relation to Guinevere; she is coarser,
more ironical, free from any feeling of remorse; but she surpasses
Tristram as Launcelot surpasses Guinevere, in “faith unfaithful,” and
one has a strong compassion for her in her lonely home, looking out
over the wild sea, with that stealthy spy of a husband, dogging her
every footstep. How full of compressed, dramatic force the last lines
are!
He rose, he turn’d, then, flinging round her neck,
Claspt it; and cried “Thine Order, O my Queen!”
But while he bow’d to kiss the jewel’d throat,
Out of the dark, just as the lips had touch’d,
Behind him rose a shadow and a shriek—
“Mark’s way,” said Mark, and clove him through the brain.
Public-domain text, read in full here on John Shaqi.
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