Then came a day when one of these huge, amiable, living smiles
blundered into our net, a smile a foot wide and six feet long, and
even as he lay quietly awaiting what fate brought to great catfish, he
sang, both theme and accompaniment. His whole being throbbed with the
continuous deep drumming as the thin, silky walls of his swim-bladder
vibrated in the depths of his body. The oxygen in the air was slowly
killing him, and yet his swan song was possible because of an inner
atmosphere so rich in this gas that it would be unbreathable by a
creature of the land. Nerve and muscle, special expanse of circling
bones, swim-bladder and its tenuous gas--all these combined to produce
the aquatic harmony. But as if to load this contented being with
largesse of apparently useless abilities, the two widespreading fin
spines--the fins which correspond to our arms--were swiveled in
rough-ridged cups at what might have been shoulders, and when moved
back and forth the stridulation troubled all the water, and the air,
too, with the muffled, twanging, _rip_, _rip_, _rip_, _rip_. The two
spines were tuned separately, the right being a full tone lower, and
the backward drawing of the bow gave a higher note than its forward
reach. So, alternately, at a full second tempo, the four tones rose
and fell, carrying out some strange Silurian theme: a muffled cadence
of undertones, which, thrilled with the mystery of their author and
cause, yet merged smoothly with the cosmic orchestra of wind and
ripples and distant rain.
Public-domain text, read in full here on John Shaqi.
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