As I watched the restless water and the butterflies striving to find a
way down through it to the only desired patches of sand in the world,
there arose a fine, thin humming, seeping up through the very waves,
and I knew the singing catfish were following the tide shoreward. And
as I considered my vast ignorance of what it all meant, of how little
I could ever convey of the significance of the happenings in the Bay
of Butterflies, I felt that it would have been far better for all of
my green ink to have trickled down through the grains of sand.
XII
SEQUELS
Tropical midges of sorts live less than a day--sequoias have felt
their sap quicken at the warmth of fifteen hundred springs. Somewhere
between these extremes, we open our eyes, look about us for a time and
close them again. Modern political geography and shifts of government
give us Methusalistic feelings--but a glance at rocks or stars sends
us shuddering among the other motes which glisten for a moment in the
sunlight and then vanish.
We who strive for a little insight into evolution and the meaning of
things as they are, forever long for a glimpse of things as they were.
Here at my laboratory I wonder what the land was like before the dense
mat of vegetation came to cover every rock and grain of sand, or how
the rivers looked when first their waters trickled to the sea.
All our stories are of the middles of things,--without beginning or
end; we scientists are plunged suddenly upon a cosmos in the full
uproar of eons of precedent, unable to look ahead, while to look
backward we must look down.
Exactly a year ago I spent two hours in a clearing in the jungle back
of Kartabo laboratory, and let my eyes and ears have full swing.[2]
Now in August of the succeeding year I came again to this clearing,
and found it no more a clearing. Indeed so changed was it, that for
weeks I had passed close by without a thought of the jungle meadow of
the previous year, and now, what finally turned me aside from my usual
trail, was a sound. Twelve months ago I wrote, "From the monotone of
under-world sounds a strange little rasping detached itself, a
reiterated, subdued scraping or picking. It carried my mind instantly
to the throbbing theme of the Niebelungs, onomatopoetic of the little
hammers forever busy in their underground work. I circled a small bush
at my side, and found that the sound came from one of the branches
near the top; so with my glasses I began a systematic search." This
was as far as I ever got, for a flock of parrakeets exploded close at
hand and blew the lesser sound out of mind. If I had stopped to guess
I would probably have considered the author a longicorn beetle or some
fiddling orthopter.
[Footnote 2: See page 34.]
Public-domain text, read in full here on John Shaqi.
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