It was a roomy cottage in a small by-road of the environs of
Kennington, bordering on South Lambeth. Frost and snow lay on the
ground outside, and bitter blasts in the air: within, sitting round
the scanty fire in a bare-looking but not very small parlour, were
Mrs. Raynor, Edina, and the younger children, the two former busily
employed making brown chenile nets for the hair.
When Edina was out one day searching for some abode for them, this
dwelling fell under her eye. It was called Laurel Cottage, as the
white letters on a slate-coloured wooden gate testified: probably
because a dwarf laurel tree flourished between the palings and the
window. In the window was a card, setting forth that "lodgings" were
to be let: and Edina entered. Could the Raynors have gone into the
country, she would have taken a whole cottage to themselves; but then
there would have been a difficulty about furniture. It was necessary
they should remain in London, as Charles still expected to find
employment there, and they must not be too far from the business parts
of it, for he would have to walk to and fro night and morning. Laurel
Cottage possessed a landlady, one Mrs. Fox, and a young boy, her son.
The rooms to let were four in number; parlour, kitchen, and two
bedrooms. She asked ten shillings a-week: but that the house was
shabby and badly furnished, she might have asked more. Edina freely
said she could afford to give only eight shillings a-week; and at
length the bargain was struck. Edina's income was just a pound a-week,
fifty-two pounds a-year; eight shillings out of it for rent was a
formidable sum. It left only twelve shillings for all necessities: and
poor, anxious Edina, who had all the care and responsibility on her
own shoulders, and felt that she had it, did not see the future very
clearly before her; but at present there was nothing to be done but to
bow to circumstances. So here they were in Laurel Cottage, with a
dreary look-out of waste-ground for a view, and a few stunted trees
overshadowing the gate.
Public-domain text, read in full here on John Shaqi.
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