Edinburgh: Painted by John Fulleylove; described by Rosaline MassonMasson, Rosaline
History
Edinburgh: Painted by John Fulleylove; described by Rosaline Masson
Masson, Rosaline
Edinburgh (Scotland) -- Description and travel
The eighteenth century in Edinburgh, like the seventeenth, teems with so
many names that it is hardly possible to mention all of even the most
notable. There was Edinburgh’s Horace, Allan Ramsay, the poet and
wig-maker, who scandalised the “unco guid” by bravely aiding and
abetting in all that made for innocent joyousness, setting up a
circulating library, doing his best to provide the town with a theatre,
and losing money thereby, and encouraging the Assemblies and writing
verses in their praise. His shop, where all the _literati_ gathered, was
beside the city Cross; but his quaint round house was on the Castle
hill, and was long known in Edinburgh as “the Goose Pie.” It is still
standing, but is incorporated in a large mass of new building, so that
its characteristic shape is lost. Allan Ramsay’s son was another Allan
Ramsay, and was portrait-painter to George III., and _his_ son was
General John Ramsay; so that the Goose Pie was owned in turn by three
generations, all notable Edinburgh citizens.
Those were the days of Jacobite Edinburgh, when Jacobite sentiments were
breathed in every close, and Jacobite sympathies were cherished in many
old families. When the King’s health was drunk the goblet was silently
passed over the caraffe of water to signify which King was meant, and
portraits of the young Chevalier hung in many secret places of honour.
The story of one of these Jacobite queens of society, who were generally
also either authors themselves or patrons of art and letters, is told in
Chambers’s _Traditions of Edinburgh_. Susanna, Countess of Eglintoun,
was the daughter of Sir Archibald Kennedy, and the grand-daughter of
Lord Newark, the Covenanting General. She became, when a very beautiful
girl, the third wife of the ancient Lord Eglintoun, whose previous wives
had left him without a male heir. She had been wooed by Sir John Clerk
of Penicuik, who had sent her love-verses concealed in a flute,
discoverable only to herself when she put her lips to it. But Sir
Archibald, when asked for his daughter’s hand, consulted his old friend
Lord Eglintoun on the subject. “Bide a wee, Sir Archie, my wife’s very
sickly,” was the advice given--and taken. The daughter’s own feelings
are matters of conjecture, not of history. Susanna Kennedy became
Countess of Eglintoun about the time of the Union, and lived in Stamp
Office Close, where seven daughters (who were afterwards to form one of
the sights of Edinburgh as they were carried in sedan-chairs to the
Assemblies) only decided the old peer to divorce his wife. The intention
was diverted by the birth of a son. Having reigned as one of the queens
of Edinburgh society for over a quarter of a century, and the death of
her ancient lord in 1729 having made her a widow, Lady Eglintoun carried
her social triumphs to London in 1730, where she was “much satisfied
with the honour and civilities shewn her ladyship by the Queen and all
the royal family.” In her old age Lady Eglintoun retained her loyalty to
Public-domain text, read in full here on John Shaqi.
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