Edinburgh: Painted by John Fulleylove; described by Rosaline MassonMasson, Rosaline
History
Edinburgh: Painted by John Fulleylove; described by Rosaline Masson
Masson, Rosaline
Edinburgh (Scotland) -- Description and travel
Taylor the Water-poet has well repaid the pleasure his visit to
Edinburgh evidently gave his amiable soul, for he has left not only many
a kindly comment, but a legacy of a vivid description of the Edinburgh
of that day,--the Edinburgh, therefore, that Ben Jonson saw, and that
James VI. showed to his English guests.[53]
Almost a hundred years later Defoe was in Edinburgh, editing the
_Edinburgh Courant_. This must have been after his release from the
State prosecution that followed his publication “The Shortest Way with
Dissenters,” and that brought him to prison, the pillory, and temporary
ruin. He is supposed to have lived in Salamander Land in the High Street
(so called because it survived fires to right of it and fires to left of
it). Wilson throws doubt on this; but Defoe must have lived somewhere,
and it may as well have been in Salamander Land as anywhere
else,--especially as the land is now no longer existing to deny it.
Defoe has left his comment, quoted by Mr. Robert Chambers in his _Walks
in Edinburgh_. The Old Town, he said, “presents the unique appearance of
_one vast castle_.”
Steele visited Edinburgh in 1717, and gave the mendicants of the city a
supper in Lady Stair’s Close, and afterwards said he had “drunk enough
of native drollery to compose a comedy.”
Twelve years later the poet Gay spent a few weeks in Edinburgh. He came
in the cortège of his patroness, that witty and eccentric Duchess of
Queensberry who had already been sung to and of by Pope and Prior. It is
said that Gay lived in an attic opposite Queensberry House in the
Canongate; but that he wrote the “Beggar’s Opera” there is denied by Mr.
Robert Chambers as an “entirely gratuitous assumption.” But there was an
alehouse as well as an attic opposite the home of his patroness, and Mr.
Chambers evidently did not think it an entirely gratuitous assumption
that the poet spent much of his time at “Jennie Ha’s,” drinking the
claret from the butt for which she was so famed. On the first flat of
“Creech’s Land,” at the end of the Luckenbooths, was Allan Ramsay’s
circulating library, the rendezvous of all the Edinburgh _literati_.
Here, during the weeks of Gay’s visit, might often have been seen “a
pleasant little man in a tye wig.” This was the author of--
How happy could I be with either,
Were t’other dear charmer away!
who had walked up from the Canongate to enjoy a friendly interchange of
ideas with the author of--
Wae’s me! For baith I canna get,
To ane by law we’re stented;
Then I’ll draw cuts, and take my fate,
And be with ane contented.
And Allan Ramsay would point out to Gay the leading citizens as they
lounged and gossiped round the Cross opposite the library; and Gay in
his turn would ask for explanations of Scottish words and customs, that
he might, on his return, be able to enlighten Pope, who was already an
admirer of the “Gentle Shepherd.”
Public-domain text, read in full here on John Shaqi.
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