Edinburgh: Painted by John Fulleylove; described by Rosaline MassonMasson, Rosaline
History
Edinburgh: Painted by John Fulleylove; described by Rosaline Masson
Masson, Rosaline
Edinburgh (Scotland) -- Description and travel
The Tropics vanish; and meseems that I
From Halkerside, from topmost Allermuir
Or steep Caerketton, dreaming gaze again.
Far set in fields and woods, the town I see
Spring gallant from the shadow of her smoke,
Cragged, spired, and turreted, her virgin fort beflagged.
R. L. STEVENSON.
Robert Louis Stevenson, remembering his Edinburgh days, must have
remembered three homes and many haunts. There was his parents’ town
house, 17 Heriot Row; there was his grandfather’s manse at Colinton, set
low in the old village graveyard by the river; and there was little
Swanston, rented by his parents many years as a country residence,
nestling in a little hollow high up on the edge of the Pentlands.
During all Stevenson’s Edinburgh days from his eighth year 17 Heriot Row
was his home proper. Heriot Row, one of the pleasantest resident streets
in Edinburgh, is, like all Edinburgh resident streets, a row of grey
stone houses built in absolute uniformity. It is built on the northern
slope of the New City, parallel with the three large main
streets,--Princes Street, George Street, and Queen Street,--but below
them, and is a single row of houses with an open outlook, facing the
green trees and turf of the gardens that stretch between Heriot Row and
Queen Street above. It was in the nursery facing the gardens and looking
up to the dignified dwellings of Queen Street through the trees that the
little fretful invalid child was soothed by his faithful Calvinistic
nurse, Alison Cunningham, and that on summer evenings, after he had gone
to bed, he lay listening to “grown-up people’s feet” on the street
below, and watching the birds in the trees.
Till yesterday, when electricity turned night into day, the lamplighter
used to go quickly at evening along the Edinburgh streets with his
ladder, fix the hook at the end of it into the cross-bar of each
lamp-post in turn, run up, lift off the glass top, and light the lamp.
Every small street urchin in Scotland knows the cry of “Leerie, Leerie,
licht the lamps!”--and the little town child, in his cosy Edinburgh
nursery, counted himself very lucky to have a lamp-post just before the
front door of his home, and used to sit until his tea was ready and
watch for “Leerie” posting down the street with his ladder and his
light.
The grandfather Balfour’s manse at Colinton was associated with holidays
when all the young cousins played in the dark, shabby, homelike rooms,
or, “sin without pardon,” broke the branches and got through a breach
in the garden wall, and so to the joys of the river.
Public-domain text, read in full here on John Shaqi.
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