Edinburgh: Painted by John Fulleylove; described by Rosaline MassonMasson, Rosaline
History
Edinburgh: Painted by John Fulleylove; described by Rosaline Masson
Masson, Rosaline
Edinburgh (Scotland) -- Description and travel
It is pleasanter to think of Stevenson playing the truant from the
University, in his country haunts amid whins and whimsies, than of his
facing a “downright meteorological purgatory” in the “draughty
parallelograms” of the city. Every inch of the Pentlands, of Blackford
Hill, of the Braids, of “classic Hawthornden” and all the valley of the
Esk, of the windings of the Water of Leith and of the shores of the
Firth of Forth--all of it was known to the youthful Stevenson, known so
well and so faithfully that he could describe it afterwards from the
Tropics. But especially dear and homelike must the Pentlands have been
to him--the Pentlands, where the old manse of his boyish holidays lies,
and where “Little Swanston” of his later years still nestles in the
trees beside one of the most picturesque villages in Scotland, within
half-an-hour’s walk from Edinburgh. All the ground between Colinton and
Swanston is historic. Had the countryside kept a diary, the first leaves
would have been inscribed in Roman characters; for here was once a Roman
town, though all that now remains of the conquering race of the old
world is a little Roman bridge, and the great unhewn Battlestone
standing huge and awesome alone in a field, and telling of the battle
fought here, centuries ago, between the Picts and the Romans. A few
hundreds of pages farther on in the diary would come the stern words of
the persecuted Covenanters, who were encamped near here before the
battle of Rullion Green.
All this romance and lore was known to Stevenson and loved by him, as
well as he knew and loved the cry of the sea-gulls as they circled
overhead, or followed the plough with loud cries of hunger. Often must
the young Stevenson, with his strange face and long hair and his
eccentric garb, have climbed the steep hill road, past “Hunter’s Tryst,”
five hundred feet above sea-level, where, it is told, Allan Ramsay laid
the scenery of the _Gentle Shepherd_,[66] and where the members of the
Six Feet Club used to meet in the little roadside inn which Sir Walter
Scott and the Ettrick Shepherd both knew well. The quiet cart-road to
Swanston leads out of this road, a little beyond the sharp turn at
“Hunter’s Tryst,” and before the
[Illustration: ARTHUR’S SEAT FROM THE BRAID HILLS
In the immediate foreground is a portion of the Braid Hills; farther on
the Blackford Hill with the shelter on its highest point, and at the end
of the slope to the right the New Royal Observatory. To the left are
part of Edinburgh, the mass of the Castle, and the shores of Fife. The
Salisbury Crags and “Lion” of Arthur’s Seat are above all.]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account