CONTENTS.
_VOL. I._
CHAP.
I., II. Site of Rome, and Roman Methods of Construction and
Decoration.
III. Prehistoric Period and Time of the Kings.
IV., V. The Palatine Hill.
VI., VII. The Forum Romanum and its adjacent Buildings.
VIII. The Capitoline Hill.
IX. The Architectural Growth of Rome.
_VOL. II._
I. The Imperial Fora.
II. The Circi of Rome.
III. Theatres in Rome.
IV. The Amphitheatres of Rome.
V. Roman Baths.
VI. The Forum Boarium and the Campus Martius.
VII. Various Temples and other Buildings.
VIII. Tombs and Honorary Monuments.
IX. Triumphal Arches.
X. The Water Supply of Rome.
XI. Roads and Bridges of Rome.
XII. The Walls of Aurelianus.
General Index.
_In extra crown 8vo, cloth, 384 pages, Illustrated, price 7s. 6d._
OUR LIFE
IN
THE SWISS HIGHLANDS.
BY
JOHN ADDINGTON SYMONDS,
AND HIS DAUGHTER MARGARET.
CONTENTS.
Davos in Winter.
Davos in the Olden Days.
Snow, Frost, Storm, and Avalanche—Notes.
Chiavenna in April.
Catching a Marmot.
Vignettes in Prose and Verse.
Summer in the Prättigau.
Among the Orchards of Tyrol.
Melchior Ragetli; or, The Life of a Swiss Porter.
Swiss Athletic Sports.
Tobogganing on a Glacier.
Hay Hauling on the Alpine Snow.
A Four Days’ Sleigh-Drive.
A Page of my Life.
Bacchus in Graubünden.
Winter Nights at Davos.
Epilogue.
ADAM AND CHARLES BLACK,
LONDON AND EDINBURGH.
_In Two Vols., quarto, half-bound morocco, gilt tops, price Eight
Guineas._
KAY’S ORIGINAL PORTRAITS
AND
=Caricature Etchings.=
A SERIES OF THREE HUNDRED & SIXTY-ONE PLATES OF WELL-KNOWN EDINBURGH
CHARACTERS.
_WITH BIOGRAPHICAL SKETCHES AND ANECDOTES._
[Illustration:
(REDUCED FROM THE PLATE.)
]
“Forming a complete record of the public characters of every grade and
kind, including many distinguished strangers, who made a figure in
Edinburgh for nearly half a century.”—_Dr. Robert Chambers._
“It is a great treat to look over the two portly quartos in which the
groups and single figures have been preserved.”—_Glasgow Herald._
_N.B.—The Plates have been destroyed, so that no further impressions can
be taken._
Public-domain text, read in full here on John Shaqi.
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