Edith and John: A Story of PittsburghFarquhar, Franklin Smith
General
Edith and John: A Story of Pittsburgh
Farquhar, Franklin Smith
Pittsburgh (Pa.) -- Fiction
FOR JOHN IS COMING HOME.
There is a little frame house sitting, in the shade of maples and oaks,
by the roadside to the south aways from Chalk Hill. It is a leaning
building, to some extent, in many ways, by reason of its age. A crooked
little chimney heaves up on the exterior of one end, by reason of its
insecure foundation. Shingles curl, up, as if in dotage, by reason of
the sun. Weather boarding warp and twist and turn, grayed by the wash of
years, by reason of their antiquity. Windows peep out, with little
panes, and rattle in the wind, by reason of their frailty. Wasps and
bees, in season, build their mud nests beneath curling shingle and
behind twisting board; bats fly out, at eventide, from unseen holes in
the gables; and swallows chatter and circle round the chimney top in the
twilight of the summer days. An ancient porch, with oaken floor, hangs
against the front wall, and the woodbine and morning glory creep and
twine and bloom around its slanting columns. A gate swings out at the
end of the path leading from the door to the highway. Flowers--the rose,
the marigold, the bouncingbetty, the wild pink, the primrose, all as
old-fashioned as the people who dwell here--border the pathway. A paled
patch of ground stands to one side, as sacred as the Garden of
Gethsemane. In the rear a gnarled and aged orchard has but recently shed
its snowy burden of bloom, with lingering scents still in the air; and
beyond and around, fence-enclosed fields are greening with growing
crops, and still beyond are dark forests and open fields and noisy
ravines.
Evening is coming on. The sun has gone down over the mountain top.
Shadows have disappeared into the gray of fading light. Odors of night
are ascending from the cooling earth. The robins are rendering the last
stanza of their solemn doxology to the dying day. The whippoorwills send
forth their melancholy praises to the approaching darkness through the
wooded chancel of their shadowy choir loft. And frogs swell their
throats in grave bass tones to the melody of country life at this time
of departing day.
A gray-haired farmer, in rough garb, sits on the porch, smoking his
pipe, and by his side sits his patient, loving wife. On the top step of
the porch sits their young daughter, reading her fate, perhaps, in the
evening stars, the while glancing up the road, and listening for the
click of horses' feet on the stones. But no sound is heard before night
comes on. The mother rises, goes in, and lights the oil lamp, and sets
it by a window for the expected visitor to see. For John is coming home.
"They are late in getting here," says the mother, as she descends from
the porch, and goes down the path to the gate. She looks up the road
through the shadows; then returns, and sits down by her daughter on the
steps.
The father relights his pipe, clanks down to the gate, in his heavy
boots, looks up the road through its shadows; then returns. "They are
late," he says, and resumes his seat.
Public-domain text, read in full here on John Shaqi.
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