Man-woman relationships -- Fiction; Mothers and daughters -- Fiction; Young women -- Fiction
He was present at the ceremony and stood where he could look in Gertie’s
face, and it was said by those who watched him that at the words, “I,
Gertrude, take thee, Godfrey, to be my wedded husband,” he put up his
hand and started as if smitten heavily. He came to me after it was over,
and said, in a half-laughing, half-serious way, that there was a feeling
in his stomach as if a hornet’s nest had been stirred up, and each
individual hornet was doing its best to sting him! I know Gertie thought
of him many times that night when she moved a queen amid the brilliant
throng, where only one vied with her at all in point of loveliness, and
that one, her mother, who, with every shadow lifted from her heart,
seemed to have recovered all the beauty of her early womanhood. Edith’s
dress was a heavy silk of a creamy tint, with overskirt and bertha of
soft, rich lace, while at Gertie’s request she wore her hair in curls,
arranged at the back of her head, and held by a coral comb. Coral was
very becoming to Edith, and she looked so young and handsome that none
would ever have dreamed that she was mother to the bride. They were like
two sisters, and the colonel might have passed for the father of them
both. He seemed very proud of Edith, and in his eyes, which followed her
constantly, there was a world of love and tenderness, which told how
dear she was to him, even now that everything pertaining to her early
life was known to him and the world.
Later in the evening, when the dancing began to flag a little, and the
New York belles had one after another tried Gertie’s new Steinway, Edith
was persuaded to take her seat at the piano.
“Give us one of those sweet, plaintive little airs you sang at Oakwood,”
Godfrey said, as he bent over her.
Edith had never tried so much as a single note since the day when she
learned from her mother that her daughter was alive, but something told
her she could sing now, for the iron fingers were gone forever; and
selecting a German song, which a year before would have been far beyond
her power, she began to sing,—her voice, which had once been so rich,
and full, and strong, gathering strength, and depth, and power as she
progressed, and soaring up, and up, and up, ever clear, ever sweet, ever
ringing, until the whole house was full of melody, and the guests came
flocking in to hear.
“Edith, my darling,” and “mamma, mamma,” were said in the same breath of
astonishment as the music ceased, and Gertie and the colonel laid a hand
on Edith’s shoulder. “I never dreamed you had a voice like that. I am
prouder of you to-night than ever I was before,” the colonel said, as at
a sign from Edith, who was looking very white, he led her away from the
piano and out upon a balcony, where she stood a moment to recover
herself, and force down the rapid beating of her heart ere she told him
_why_ she could not sing before, and that with the confession of
everything, and the finding of Gertie, her glorious voice had come back
to her again.
Public-domain text, read in full here on John Shaqi.
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