Edna Browning; $b or, the Leighton homestead. A novelHolmes, Mary Jane
General
Edna Browning; $b or, the Leighton homestead. A novel
Holmes, Mary Jane
American fiction -- 19th century
Edna was better when the letter came to her, and the world did not look
one half so dreary as it had done when viewed from her sick bed in that
little front room of Mrs. Dana’s. For the first time since the accident,
she had given some thought to her toilet, and had brushed and arranged
her beautiful hair, and thought of Charlie with a keen throb of pain as
she wound round her fingers the long curls he used so to admire. Edna
was proud of her hair, which so many people called beautiful, but which
Aunt Jerusha had set herself so strongly against. Twice had that
maiden’s scissors been in dangerous proximity to the mass of golden
brown, but something in the girl’s piteous expression had reminded her
of the dead man under the shadow of the cherry-trees, and the curls had
not been harmed. Edna thought of Aunt Jerusha now, as she shook back the
shining ringlets, which rippled all round her neck and shoulders, and
with the thought came a desire to know what that worthy woman would say,
and a wonder as to why she did not write. She was beginning to long for
some expression with regard to her conduct, even though it should be
anything but commendatory. She knew she would be blamed; she deserved
it, she thought, but she was not quite prepared for the harsh tone of
Aunt Jerusha’s letter, and she felt for a moment as if her heart would
burst with a sense of the injustice done to her.
One piece of information which the letter contained hurt her cruelly,
and that was the news concerning the jewelry, which Roy Leighton must
pay for, even to her wedding ring which she clutched at first with an
impulse to tear it from her finger and thrust it from her forever. But
the solemn words—“With this ring I thee wed”—sounded again in her ears,
and brought back that hour when she stood at Charlie’s side, loving him,
believing in him, trusting him implicitly. She did not ask herself how
much of that faith, and trust, and love was gone; she dared not do that,
for fear of what the answer might be. Charlie was dead, and that was
enough; and she wrung her hands helplessly and looked at the ring, the
seal of her marriage, but could not take it off then, even though Roy
Leighton must pay for it. She wrote to him again that very day, with
what sore heart and utter humiliation we have seen in her letter to him,
but with a firm determination to do what she promised him she would do,
namely: liquidate her indebtedness to him and arrange if possible with
the jeweller.
“I must go to work now,” she said to herself. “I can be idle no longer.”
Public-domain text, read in full here on John Shaqi.
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