Edna Browning; $b or, the Leighton homestead. A novelHolmes, Mary Jane
General
Edna Browning; $b or, the Leighton homestead. A novel
Holmes, Mary Jane
American fiction -- 19th century
Thus Edna reasoned with herself, until from the summit of a hill she
caught sight of the tall poplars, and saw in the distance the spire of
St. Paul’s. Behind it was Aunt Jerry’s house; she was almost there, and
her heart beat painfully as she tried to think what to say, how to word
her greeting so as not to displease. It did not occur to her that
probably Aunt Jerry was at church, until the stage left her at the gate,
and she tried the door, which was locked. Fortunately, she knew just
where to look for the key, and as she stooped to get it, Tabby, who had
been sitting demurely on the windowsill, with one eye on the warm room
from which she was shut out, and one on the church whence she expected
her mistress to come, jumped down, and with a _meow_ of welcome came
purring and rubbing against Edna’s dress, and showing,—as much as a dumb
creature can show,—her joy at seeing her young playmate again. Edna took
the animal in her arms, and hugging it to her bosom, let fall a shower
of kisses and tears upon the long, soft fur, saying aloud:
“You, at least, are glad, old Tabby, and I’ll take your welcome as a
good omen of another.”
She let herself into the house, and with Tabby still nestled in her
arms, stood looking around the familiar room. It seemed to her years
since she was there, and she found herself wondering to find it so
unchanged. The same rag carpet which she had helped to make, with what
weariness and tears she could not recall without a shudder. The same
calico-covered lounge, with Aunt Jerry’s work-basket and foot-stove
tucked away under it, the same fall leaf table with its plaid spread of
red and green, Aunt Jerry’s straight-back chair by the oven door, the
clock upon the mantel, and could she believe her senses, a picture of
herself upon the wall above the fireplace; a photograph taken three
years before by a travelling artist, whose movable car had ornamented
the common in front of the church, a terror to all the horses, and a
thing of wonder and fascination to all the school boys and girls, most
of whom first and last saw the inside of the mysterious box, and came
out reproduced. Edna had picked blackberries to pay for her picture, and
sat unknown to Aunt Jerusha, whose comment on the likeness was, “Better
have saved the money for something else. You ain’t so handsome that you
need want to be repeated. It looks enough sight better than you do.”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account