It is true that it was, as a rule, only the daughters of the nobility who received the opportunity for the higher education, or at least obtained it with facility. It must not be forgotten, however, just what the nobility of Italy, and, {212} indeed, of other countries also, represented. The conditions there are most typical and it is worth while studying them out. The Medici, for instance, of Florence, whose women folk were so well educated, were members of the gilds of the apothecaries, as their name indicates, who made a fortune on drugs and precious stones and beautiful stuffs from the East, and then became the bankers of Europe. Noblemen were created because of success in war, success in politics, success in diplomacy, but also because of success in commerce, and occasionally success in the arts. Not many educators and artists were among them any more than in our time, because they were not, as a rule, possessed of the fortune properly to keep up the dignity of a patent of nobility. The daughters of the nobility of Italy, however, were not very different, certainly their origin was very similar to that of the daughters of the wealthy men of America, who are, after all, the only ones who can take advantage of the higher education in our time. We must not forget that, compared to the whole population, the number of women securing the higher education is very limited. To think that the Renaissance with this provision of ample opportunities for feminine education was the first epoch of this kind in the world's history would be to miss sadly a host of historical facts and their significance. Unfortunately history has been so written from the standpoint of {213} man and his interests, that this phase of history is not well known and probably less understood. History has been too much a mere accumulation of facts with regard to war, diplomacy and politics. While we have known much of heroes and battles, we have known little of education, of art, of artistic achievement of all kinds. We have known even less of popular movements. We have known almost nothing of the great uplift of the masses which created the magnificent arts and crafts of the Middle Ages, that we are just beginning to admire so much once more, and our admiration of them is the best measure of our own serious artistic development. Kings and warriors and kings' mistresses and ugly diplomacy and rotten politics, have occupied the centre of the stage in history. Surely we are coming to a time when other matters, the human things and not the animal instincts, will be the main subject of history; when fighting and sex and acquisitiveness and selfishness shall give place in history to mutual aid, uplift, unselfishness and thoughtfulness for others.