The Irish poet, Yeats, in bidding a group of American friends good-bye some five years ago, said that we had many opportunities for culture {172} in life here in America, but we must be careful to take them fully and not deceive ourselves with counterfeits, or we would surely miss something of the precious privilege and development that might be ours. Among other things he said, that we must not forget "that until the very utensils in the kitchen are useful as well as beautiful no nation can think of itself as really cultured." If men and women can bear without constraint to handle things that are merely useful without beauty in them, there is something seriously lacking in their culture. Whatever is merely useful is hideous. Nature never made anything that was merely useful in all the world's history. The things of nature around us are all wonderful utilities and yet charmingly beautiful. The pretty flowers are seed envelopes meant to attract birds and insects, so that the seeds may be scattered. The beautiful fruits are other seed envelopes meant to attract man and the animals, so that the seeds may be carried far and wide. The leaves of trees are eminently useful as lungs and stomach and yet are beautiful and have a wondrous variety and a charm all their own. This precious lesson of nature they seem to have understood well in the Middle Ages and applied it with marvellous perfection. It has often been called to attention that portions of Gothic edifices in dark corners, out of the sight of the ordinary visitor, are just as beautifully decorated in their own way as those which are {173} especially on exhibition. The gravestones in their churches, though meant to be trodden under foot and often covered by the dirt from the shoes of passersby, yet had bronze ornaments that are so beautiful that in the modern time artists take rubbings of them so as to carry the designs away with them. While every portion of the church is beautiful, the same thing was true in the castles and to a great extent in their own homes. The furniture of that time, even in the houses of smaller tradesmen, was beautiful in its simplicity, its solidity, its charm of line, and then, above all, its absolute rejection of all pretence of seeming to be anything other than it was. Their drinking cups were beautiful, their domestic utensils of various kinds had charming lines and, though they did not have as many as we have in the modern time, what they had were so beautiful that now we find them on exhibition in museums, and we are beginning to imitate them in order that the wealthy may have as bric-à-brac ornaments in their houses, the utensils which were in ordinary use in the homes of the middle classes of the thirteenth century.