Edward MacDowell: A Great American Tone Poet, His Life and MusicPorte, John Fielder
General
Edward MacDowell: A Great American Tone Poet, His Life and Music
Porte, John Fielder
Composers -- United States -- Biography; MacDowell, Edward, 1860-1908
7. _To an Old White Pine_ (_Gravemente con dignità_). The
characteristic feature of this piece is its sense of alternate
mounting and declining strength. At about the middle of the
movement a deeper solemnity is noticed, in a passage suggesting
the _swaying, gentle forest trees_ that whisper at the feet of
the huge old pines of an American forest. Some expressive and
ingenious little woodland touches are included in the quiet
concluding bars.
8. _From Puritan Days_. "_In Nomine Domini_" (_Con enfasi
smisurata_). A stern theme opens this piece, while a passage
marked _implorando_ seems to suggest the pious attitude of the
immortal founders of the New England States. Soon the music
becomes hurried and more impassioned, the pious, despairing
motive being prominent. The opening theme is now thundered out
_fortissimo_ and the piece ends with a sense of stern and
rock-like strength of character.
9. _From a Log Cabin_ (_Con profondo espressione_). This piece,
which should be played with great expression, stands on a level
with _Mid-Winter_, No. 3 in this album. It strikes the new and
sombre note already referred to and carries with it a sense of
deep and vast import. The composer's unerring feeling for
atmosphere is given full play. The piece as a whole is deep and
problematic. The lines at its head:
_A house of dreams untold_,
_It looks out over the whispering tree-tops
And faces the setting sun_.
refer to MacDowell's log-cabin in which he used to compose, and
they are the same that are inscribed over his grave. _From a Log
Cabin_ opens quietly, with a grave theme and a clashing
accompaniment that produces a different effect to that of any of
the composer's earlier work, but recalls vividly the bleak second
theme of _Mid-Winter_. Some powerful though small climaxes may be
noticed, and then a new theme is heard softly, _con tenerezza,
pensieroso_, over a florid accompaniment. After this has run its
course, it is followed by intensely passionate outbursts of
sorrow, the whole culminating in a thunderous repetition of the
first theme. This reappears with great solemnity, which is
emphasized by tolling, drum-like strokes, in the bass. The close
is mysterious and impressive; the widespread chords, the wailing,
clashing discords in the final bar but one, and the far away last
chord, _pppp_, all tend to increase the depth and mystery of the
piece. _From a Log Cabin_ is an inspired tone poem suggesting the
atmosphere of a quiet evening in the woods, with the slow setting
of the sun in the Golden West; a scene by which Nature often
creates the sense of the mysterious more impressively and truly
than any man-made attempts can equal. This view of declining day,
the gradual shutting off of light and life, was strangely
prophetic when MacDowell wrote it, for his own end came by a
similar process in the form of an ever deepening gloom fatalling
obscuring his mental light.
Public-domain text, read in full here on John Shaqi.
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