Edwy the Fair or the First Chronicle of Aescendune: A Tale of the Days of Saint DunstanCrake, A. D. (Augustine David)
ReligionChristian
Edwy the Fair or the First Chronicle of Aescendune: A Tale of the Days of Saint Dunstan
Crake, A. D. (Augustine David)
Dunstan, Saint, 909-988 -- Juvenile fiction; Edwy, King of England, -959 -- Juvenile fiction; Historical fiction
Father Cuthbert had found a solution, which was based upon sad
experience of the traditional feuds so frequently handed down from
father to son. Still he would not suggest further cause of disquietude,
and added no further words.
The utter uncertainty about Elfric was another cause of uneasiness.
Whether he had gone southward with the king, or had fallen on the
battlefield, they knew not; or whether he had surrendered with the
prisoners taken in the entrenched camp, and who had been all admitted
to mercy.
In the course of the morning they saw Redwald return, laden with the
spoils of the Grange farm—oxen and sheep, waggons containing corn,
driven before him. What passed within on his entrance they could not
tell; how narrow their escape they knew not—were not even certain it
had been an escape at all.
It was now determined that the interment should take place on the
morrow, and the intelligence was communicated rapidly to all the
tenantry.
Hourly they expected the forces of Mercia to appear, and exact a heavy
account from Redwald for his offences. He was supposed to be the
instigator of the expedition which had failed so utterly; it was not
likely that he would be allowed to retain Æscendune a long time. The
only surprise people felt was that he should have dared to remain at
the post when all hope of successful resistance had ceased. He had his
own reasons, which they knew not.
Under these circumstances it seemed desirable to hurry forward the
interment, lest it should be interfered with from without, in the
confusion of hostile operations against the hall.
The priory church was a noble but irregular structure, of great size
for those days. The cunning architect from the Continent, who had
designed it, had far surpassed the builders of ordinary churches in the
grandeur of his conception. The lofty roof, the long choir beyond the
transept, gave the idea of magnitude most forcibly, and added dignity
to the design. In the south transept was a chapel dedicated especially
to St. Cuthbert, where the aged Offa reposed, and the mother of Ella.
There they had removed the body to await the last solemn rites. Six
large wax tapers burned around it, and watchers were there day and
night—mourners who had loved him well, and felt that in him they had
lost a dear friend.
The wife, the son, or the daughter, were ever there, but seldom alone.
For when the monks in the choir were not saying the canonical hours, or
the low mass was not being said at one of the side altars, still the
voice of intercession arose, with its burden:
“Eternal rest give unto him, O Lord,
And let perpetual light shine upon him.”
Public-domain text, read in full here on John Shaqi.
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