Egoists, A Book of Supermen: Stendhal, Baudelaire, Flaubert, Anatole France, Huysmans, Barrès, Nietzsche, Blake, Ibsen, Stirner, and Ernest HelloHuneker, James
Philosophy
Egoists, A Book of Supermen: Stendhal, Baudelaire, Flaubert, Anatole France, Huysmans, Barrès, Nietzsche, Blake, Ibsen, Stirner, and Ernest Hello
Huneker, James
Literature, Modern -- 19th century -- History and criticism
He was born on February 5, 1848, in Paris, and died in that city on
May 12, 1907. Christened Charles-Marie-George, he signed his books
Joris-Karl. He was educated at the Lyceum Saint-Louis. His family
originally resided at Breda, Holland. His father was lithographer and
painter. His mother was of Burgundian stock and boasted a sculptor
in her ancestral line. Huysmans came fairly by his love of art. He
contemplated the profession of law; but, at the age of twenty, he
entered the Ministry of the Interior, where he remained until 1897,
a model, unassuming official, fond of first editions, posters, rare
prints, and a few intimates. He went then to live at Ligugé, but
returned to Paris after the expulsion of the Benedictines. He was
elected first president of the Academy Goncourt, April 7, 1900. He was
nominated chevalier of the Legion of Honour, and given the rosette
of officer by Briand, though Huysmans begged that he should have no
military honours at his funeral. It was for his excellent work as a
civil servant that he was decorated, and not as a man of letters. At
the time of his death, his reputation had suffered an eclipse; he was
distrusted both by Catholics and free-thinkers. But he never wavered.
Attacked by a cancerous malady, he suffered the atrocious martyrdom
of his favourite Saint Lydwine. Léon Daudet, François Coppée, and
Lucien Descaves were his unwearying attendants. At the last, he could
still read the prayers for the dying. He was buried in his Benedictine
habit. But what an artist perished in the making of an amateur monk!
"His face," said an English friend, "with the sensitive, luminous
eyes, reminded one of Baudelaire's portrait, the face of a resigned
and benevolent Mephistopheles who has discovered the absurdity of the
divine order, but has no wish to make improper use of his discovery.
He gave me the impression of a cat, courteous, perfectly polite, most
amiable, but all nerves, ready to shoot out his claws at the least
word." (Huysmans, like Baudelaire, was fond of cats). When I saw him
five years ago in Paris, I was struck by the essentially Semitic
contour of his head--some legacy of remote ancestors from the far-away
Meuse.
II
Public-domain text, read in full here on John Shaqi.
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