Egoists, A Book of Supermen: Stendhal, Baudelaire, Flaubert, Anatole France, Huysmans, Barrès, Nietzsche, Blake, Ibsen, Stirner, and Ernest HelloHuneker, James
Philosophy
Egoists, A Book of Supermen: Stendhal, Baudelaire, Flaubert, Anatole France, Huysmans, Barrès, Nietzsche, Blake, Ibsen, Stirner, and Ernest Hello
Huneker, James
Literature, Modern -- 19th century -- History and criticism
Seek peace and happiness with the conviction that they are never to be
found; felicity must be in the experiment, not in the result. Be ardent
and sceptical. Here Philippe touches hands with the lulling Cyrenaicism
of Walter Pater. And Barrès might have sat for one of Pater's imaginary
portraits. But it is too pretty to last, such a dream as this, in a
world wherein work and sorrow rule. He is not an ascetic, Philippe.
He eats rare beefsteaks, smokes black Havanas, clothes himself in
easy-fitting garments, and analyses with cordial sincerity his
multi-coloured soul. (And oh! the colours of it; oh! its fluctuating
forms!) The young person invades his privacy--a solitary in Paris is an
incredible concept. Together they make journeys "conducted by the sun."
She is dreamlike until we read, "Cependant elle le suivait de loin,
délicate et de hanches merveilleuses"--which delicious and dislocated
phrase is admired by lovers of Goncourt syntax, but must be shocking to
the old-fashioned who prefer the classic line and balance of Bossuet.
Nothing happens. Everything happens. Philippe makes the stations
of the cross of earthly disillusionment. He weighs love, he weighs
literature--"all these books are but pigeon-holes in which I classify
my ideas concerning myself, their titles serve only as the labels of
the different portions of my appetite." Irony is his ivory tower, his
refuge from the banalities of his contemporaries. Henceforth he will
enjoy his Ego. It sounds at moments like Bunthorne transposed to a more
intense tonality.
But even beefsteaks, cigars, wine, and philosophy pall. He craves a
mind that will echo his, craves a mental duo, in which the clash of
character and opposition of temperaments will evoke pleasing cerebral
music. In this dissatisfaction with his solitude we may detect the
first rift in the lute of his egoism. He finds an old friend, Simon
by name, and after some preliminary sentimental philandering at the
seashore, in the company of two young ladies, the pair agree to lead
a monastic life. To Lorraine they retire and draft a code of diurnal
obligations. "We are never so happy as when in exaltation," and "The
pleasure of exaltation is greatly enhanced by the analysis of it."
Their souls are fortified and engineered by the stern practices of
Loyola. The woman idea occasionally penetrates to their cells. It
distracts them--"woman, who has always possessed the annoying art of
making imbeciles loquacious." Notwithstanding these wraiths of feminine
fancy, Philippe finds himself almost cheerful. His despondent moods
have vanished. He quarrels, of course, with Simon, who is dry, an
_esprit fort_.
Public-domain text, read in full here on John Shaqi.
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