Egoists, A Book of Supermen: Stendhal, Baudelaire, Flaubert, Anatole France, Huysmans, Barrès, Nietzsche, Blake, Ibsen, Stirner, and Ernest HelloHuneker, James
Philosophy
Egoists, A Book of Supermen: Stendhal, Baudelaire, Flaubert, Anatole France, Huysmans, Barrès, Nietzsche, Blake, Ibsen, Stirner, and Ernest Hello
Huneker, James
Literature, Modern -- 19th century -- History and criticism
It was some time in the late spring or early summer of 1879. I was
going through the Chaussée d'Antin when a huge man, a terrific old
man, passed me. His long straggling gray hair hung low. His red face
was that of a soldier or a sheik, and was divided by drooping white
moustaches. A trumpet was his voice, and he gesticulated freely
to the friend who accompanied him. I did not look at him with any
particular interest until some one behind me--if he be dead now may
he be eternally blest!--exclaimed: "C'est Flaubert!" Then I stared;
for though I had not read Madame Bovary I adored the verbal music of
Salammbô, secretly believing, however, that it had been written by
Melchior, one of the three Wise Kings who journeyed under the beckoning
star of Bethlehem--how else account for its planturous Asiatic prose,
for its evocations of a vanished past? But I knew the name of
Flaubert, that magic collocation of letters, and I gazed at him. He
returned my glance from prominent eyeballs, the colour of the pupil a
bit of faded blue sky. He did not smile. He was too tender-hearted,
despite his appreciation of the absurd. Besides, he knew, He, too, had
been young and foolish. He, too, had worn a velvet coat and a comical
cap, and had dreamed. I must have been a ridiculous spectacle. My hair
was longer than my technique. I was studying Chopin or lunar rainbows
then--I have forgotten which--and fancied that to be an artist one
must dress like a cross between a brigand and a studio model. But I
was happy. Perhaps Flaubert knew this, for he resisted the temptation
to smile. And then he passed from my view. To be frank, I was not very
much impressed, because earlier in the day I had seen Paul de Cassagnac
and that famous duellist was romantic-looking, which the old Colossus
of Croisset was not. When I returned to the Batignolles I told the
_concièrge_ of my day's outing.
"Ah!" he remarked, "M. Flaubert! M. Paul de Cassagnac!--a great man,
Monsieur P-paul!" He stuttered a little. Now I only remember "M.
Flaubert," with his eyes like a bit of faded blue sky. Was it a dream?
Was it Flaubert? Did some stranger cruelly deceive me? But I'll never
relinquish the memory of my glorious mirage.
Public-domain text, read in full here on John Shaqi.
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