The shadufs follow one another sometimes as far as the eye can see. It
is strange to watch the movement--confused in the distance--of all
these long rods which pump the water without ceasing, and look like the
swaying of living antennae. The same sight was to be seen along this
river in the times of the Ramses. But suddenly, at some bend of
the river, the old Pharaonic rigging disappears, to give place to a
succession of steam machines, which, more even than the muscles of
the fellahs, are busy at the water-drawing. Before long their blackish
chimneys will make a continuous border to the tamed Nile.
Did one not know their bearings, the great ruins of this Egypt would
pass unnoticed. With a few rare exceptions they lie beyond the green
plains on the threshold of the solitudes. And against the changeless,
rose-coloured background of these cliffs of the desert, which follow you
during the whole of this tranquil navigation of some 600 miles, are to
be seen only the humble towns and villages of to-day, which have
the neutral colour of the ground. Some openwork minarets dominate
them--white spots above the prevailing dullness. Clouds of pigeons whirl
round in the neighbourhood. And amongst the little houses, which are
only cubes of mud, baked in the sun, the palm-trees of Africa, either
singly or in mighty clusters, rise superbly and cast on these little
habitations the shade of their palms which sway in the wind. Not long
ago, although indeed everything in these little towns was mournful and
stagnant, one would have been tempted to stop in passing, drawn by that
nameless peace that belonged to the Old East and to Islam. But, now,
before the smallest hamlet--amongst the beautiful primitive boats, that
still remain in great numbers, pointing their yards, like very long
reeds, into the sky--there is always, for the meeting of the tourist
boats, an enormous black pontoon, which spoils the whole scene by its
presence and its great advertising inscription: “Thomas Cook & Son
(Egypt Ltd.).” And, what is more, one hears the whistling of the
railway, which runs mercilessly along the river, bringing from the
Delta to the Soudan the hordes of European invaders. And to crown all,
adjoining the station is inevitably some modern factory, throned there
in a sort of irony, and dominating the poor crumbling things that still
presume to tell of Egypt and of mystery.
And so now, except at the towns or villages which lead to celebrated
ruins, we stop no longer. It is necessary to proceed farther and for the
halt of the night to seek an obscure hamlet, a silent recess, where we
may moor our dahabiya against the venerable earth of the bank.
Public-domain text, read in full here on John Shaqi.
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