And so one goes on, for days and weeks, between these two interminable
cliffs of reddish chalk, filled with their hypogea and mummies, which
are the walls of the valley of the Nile, and will follow us up to the
first cataract, until our entrance into Nubia. There only will the
appearance and nature of the rocks of the desert change, to become the
more sombre granite out of which the Pharaohs carved their obelisks and
the great figures of their gods.
We go on and on, ascending the thread of this eternal current, and
the regularity of the wind, the persistent clearness of the sky, the
monotony of the great river, which winds but never ends, all conspire
to make us forget the hours and days that pass. However deceived and
disappointed we may be at seeing the profanation of the river banks,
here, nevertheless, isolated on the water, we do not lose the peace of
being a wanderer, a stranger amongst an equipage of silent Arabs, who
every evening prostrate themselves in confiding prayer.
And, moreover, we are moving towards the south, towards the sun, and
every day has a more entrancing clearness, a more caressing warmth, and
the bronze of the faces that we see on our way takes on a deeper tint.
And then too one mixes intimately with the life of the river bank,
which is still so absorbing and, at certain hours, when the horizon is
unsullied by the smoke of pit-coal, recalls you to the days of artless
toil and healthy beauty. In the boats that meet us, half-naked men,
revelling in their movement, in the sun and air, sing, as they ply their
oars, those songs of the Nile that are as old as Thebes or Memphis. When
the wind rises there is a riotous unfurling of sails, which, stretched
on their long yards, give to the dahabiyas the air of birds in full
flight. Bending right over in the wind, they skim along with a lively
motion, carrying their cargoes of men and beasts and primitive things.
Women are there draped still in the ancient fashion, and sheep and
goats, and sometimes piles of fruit and gourds, and sacks of grain. Many
are laden to the water's edge with these earthenware jars, unchanged for
3000 years, which the fellaheens know how to place on their heads with
so much grace--and one sees these heaps of fragile pottery gliding along
the water as if carried by the gigantic wings of a gull. And in the
far-off, almost fabulous, days the life of the mariners of the Nile had
the same aspect, as is shown by the bas-reliefs on the oldest tombs; it
required the same play of muscles and of sails; was accompanied no doubt
by the same songs, and was subject to the withering caress of this same
desert wind. And then, as now, the same unchanging rose coloured the
continuous curtain of the mountains.
Public-domain text, read in full here on John Shaqi.
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