On this side, too, the view embraces great peaceful distances. Past the
last pylons, and beyond the crumbling ramparts the country, down there
behind the town, presents the same appearance as that we were facing a
moment before. The same cornfields, the same woods of date-trees,
that make a girdle of green palms around the ruins. And, right in the
background, a chain of mountains is lit up and glows with a vivid coral
colour. It is the chain of the Arabian desert, lying parallel to that of
Libya, along the whole length of the Nile Valley--which is thus
guarded on right and left by stones and sand stretched out in profound
solitudes.
In all the surrounding country which we command from this spot there
is no indication of the present day; only here and there, amongst the
palm-trees, the villages of the field labourers, whose houses of dried
earth can scarcely have changed since the days of the Pharaohs. Our
contemporary desecrators have up till now respected the infinite
desuetude of the place, and, for the tourists who begin to haunt it, no
one yet has dared to build a hotel.
Slowly the sun descends; and behind us the granites of the town-mummy
seem to burn more and more. It is true that a slight shadow of a warmer
tint, an amaranth violet, begins to encroach upon the lower parts,
spreading along the avenues and over the open spaces. But everything
that rises into the sky--the friezes of the temples, the capitals of
the columns, the sharp points of the obelisks--are still red as glowing
embers. These all become imbued with light and continue to glow and shed
a rosy illumination until the end of the twilight.
It is a glorious hour, even for the old dust of Egypt, which fills the
air eternally, without detracting at all from its wonderful clearness.
It savours of spices, of the Bedouin, of the bitumen of the sarcophagus.
And here now it is playing the role of those powders of different shades
of gold which the Japanese use for the backgrounds of their lacquered
landscapes. It reveals itself everywhere, close to and on the horizon,
modifying at its pleasure the colour of things, and giving them a kind
of metallic lustre. The phantasy of its changes is unimaginable. Even
in the distances of the countryside, it is busy indicating by little
trailing clouds of gold the smallest pathways traversed by the herds.
And now the disc of the God of Thebes has disappeared behind the Libyan
mountains, after changing its light from red to yellow and from yellow
to green.
And thereupon the tourists, judging that the display is over for
the night, commence to descend and make ready for departure. Some in
carriages, others on donkeys, they go to recruit themselves with the
electricity and elegance of Luxor, the neighbouring town (wines and
spirits are paid for as extras, and we dress for dinner). And the dust
condescends to mark their exodus also by a last cloud of gold beneath
the palm-trees of the road.
Public-domain text, read in full here on John Shaqi.
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