At a turning, beyond there, at the bottom of a sinister-looking recess,
what does this crowd of people, what does this uproar mean? Is it a
meeting, a fair? Under awnings to protect them from the sun stand some
fifty donkeys, saddled in the English fashion. In a corner an electrical
workshop, built of new bricks, shoots forth the black smoke, and all
about, between the high blood-coloured walls, coming and going, making a
great stir and gabbling to their hearts' content, are a number of Cook's
tourists of both sexes, and some even who verily seem to have no sex
at all. They are come for the royal audience; some on asses, some in
jaunting cars, and some, the stout ladies who are grown short of wind,
in chairs carried by the Bedouins. From the four points of Europe they
have assembled in this desert ravine to see an old dried-up corpse at
the bottom of a hole.
Here and there the hidden palaces reveal their dark, square-shaped
entrances, hewn in the massive rock, and over each a board indicates the
name of a kingly mummy--Ramses IV., Seti I., Thothmes III., Ramses IX.,
etc. Although all these kings, except Amenophis II., have recently been
removed and carried away to Lower Egypt, to people the glass cases of
the museum of Cairo, their last dwellings have not ceased to attract
crowds. From each underground habitation are emerging now a number of
perspiring Cooks and Cookesses. And from that of Amenophis, especially,
they issue rapidly. Suppose that we have come too late and that the
audience is over!
And to think that these entrances had been walled up, had been masked
with so much care, and lost for centuries! And of all the perseverance
that was needed to discover them, the observation, the gropings, the
soundings and random discoveries!
But now they are being closed. We loitered too long around the colossi
of Memnon and the palaces of the plain. It is nearly noon, a noon
consuming and mournful, which falls perpendicularly upon the red
summits, and is burning to its deepest recesses the valley of stone.
At the door of Amenophis we have to cajole, beseech. By the help of a
gratuity the Bedouin Grand Master of Ceremonies allows himself to be
persuaded. We are to descend with him, but quickly, quickly, for the
electric light will soon be extinguished. It will be a short audience,
but at least it will be a private one. We shall be alone with the king.
In the darkness, where at first, after so much sunlight, the little
electric lamps seem to us scarcely more than glow-worms, we expected a
certain amount of chilliness as in the undergrounds of our climate. But
here there is only a more oppressive heat, stifling and withering, and
we long to return to the open air, which was burning indeed, but was at
least the air of life.
Public-domain text, read in full here on John Shaqi.
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