The little lady Touî, who entered the Louvre last year, was in her
lifetime a singer in the service of Amon. The title gives rise to doubt
and scarcely permits us to determine to what class of society she
belonged. The singers in the service of Amon were of all ranks, some
married, others free. They were all bound to serve the god; they shook
before him the sistrum that kept off spirits, or wielded the magic
whip, the _monaît_, with which they beat the air to keep off with heavy
blows the evil beings who floated invisible in it. The most humble
were of easy morals, and the series of licentious vignettes in the
Turin Museum leaves no room for doubt regarding the kind of life they
led. They were the servants of the temple; they placed their bodies at
the free disposal of their master Amon, and whoever addressed them in
his name would not meet with refusal. In the Græco-Roman period the
high-priest chose a young girl of rare beauty from among the richest
and noblest families of Thebes and solemnly dedicated her. She became
the chief singer, and shared the life of her companions of lower origin
as long as youth lasted; when she was past the age of child-bearing
she retired, and an honourable marriage allowed her to end her days
amid the respect of all. The lady Touî’s position seems to have been
less curious. The wives of priests or those of citizens affiliated to
the different brotherhoods of Amon formed associations of _singers_ who
appeared in the temples on days of festival or at the hours fixed for
certain ceremonies: they only accepted the duty of playing the sistrum
or of plying the whip, leaving to the others the rest of the function.
Touî doubtless had a husband and children somewhere in Thebes. In
an Egyptian tale[85] the heroine, Tboubouî, daughter of a priest of
Bastît, replies to the lover who is importuning her: “I am pure, I am
no wanton.” Touî might say the same to us if, trusting to her title, we
confused her with the common _singing-girls_, who yielded their bodies
to all.
[Illustration: THE LADY TOUÎ, STATUETTE IN WOOD.
The Louvre.]
Public-domain text, read in full here on John Shaqi.
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